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The CHIRP Blog
Sarah A. writesCHIRP Goes to Kentucky: Forecastle Festival, Day Three
CHIRP DJ and Volunteer Coordinator Sarah Avampato was southward-bound last month to cover the annual Forecastle Festival in Louisville, KY. We round out coverage of the festival today. If you’ve missed out, days one and two are on the blog. For more photos, head over to Flickr.
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If you, like me, are out of your early 20s and value things like sleep and not having your body hate you, then the third day of a festival is usually the hardest. I had a lot of why am I doing this to myself moments, followed by a lot of oh god I am so old moments. Some real good times, as I dragged myself Luciuout of bed and got ready for the last day of the festival.
While I made it to the festival grounds late, I did manage to catch the back half of a fantastic set by Matrimony, another North Carolina based band. The band is a family affair, led by husband and wife duo Ashlee Hardee Brown and Jimmy Brown, and backed up by Ashlee’s two brothers, and that translates into a unique chemistry among the four of them. I’d never heard Matrimony before, but their set absolutely reeled me in with their heartfelt harmonies and high energy. A real great start to the day.
Mike Bennett writesFriday iPod/MP3 Shuffle—Happy Birthday Thurston Moore Edition
He enrolled in a college in Connecticut, but split for New York City before he could attend. I’m sure his parents weren’t pleased, but it turned out pretty well for birthday boy Thurston Moore. Moore quickly immersed himself in the avant garde scene, but his first band in NYC involved a brief stint in the hardcore band Even Worse, with Big Takeover publisher Jack Rabid. A few years down the line, Moore and future wife Kim Gordon started playing together, leading to the formation of Sonic Youth. Lee Renaldo was pulled away from Glenn Branca’s guitar ensemble, and eventually, Steve Shelley took over on drums. Sonic Youth carved out a new path for rock music in the ‘80s and ‘90s, eventually making their music more accessible, but never straying too far away from something challenging. Moore and Ranaldo created new guitar sounds, with unusual tunings and an adventurous spirit. Moore was also a mentor for many artists and went on to make some fine solo records. And, I’ll always be a fan knowing that Moore and temporary Sonic Youth bandmate Jim O’Rourke used to sing Sparks songs in a karaoke bar in Europe. In honor of Mr. Moore, please grab your iPod or MP3 player, hit shuffle, and share the first 10 songs that come up.
Sarah A. writesCHIRP Goes to Kentucky: Forecastle Festival, Day Two
At every festival, there’s a day where you say, you know what, I’m going to take it easy. Saturday was that day for me. Most of the bands I wanted to see were at the end of the day, and besides, it was extra humid – the kind of day where you don’t think it’s too bad, because it’s pretty overcast, but before you know it, you’re covered in sweat. (It was also the kind of day where you don’t think you’re going to get a sunburn – overcast, remember? – until you get back to your hotel and realize you’re much more lobster-like than you were that morning.)
So for the most part, I kept Saturday nice and easy. Things started out with a set from Hurray for the Riff Raff. Their latest album, Small Town Heroes, was a regular play on CHIRP when it was released, and most of their set was made up of tracks from that release. Frontwoman Alynda Lee Segarra kept the mood light and easy with her upbeat folk songs, but they’re not a band that’s afraid to get political or challenge the status quo. While they didn’t play it, they have an unreleased song called “Everybody Knows”, written for Trayvon Martin, that’s absolutely chilling. Segarra also pokes at the folk tradition of murder ballads, which are almost universally about a woman being murdered. Segarra spins that into a song that’s almost, but not quite, going into revenge territory. “Delia’s gone, but I’m settling the score,” she sings, quiet and delicate, and you get the feeling that whoever did Delia wrong is going to regret it pretty soon.
Sarah A. writesCHIRP Goes to Kentucky: Forecastle Festival, Day One
CHIRP DJ and Volunteer Coordinator Sarah Avampato skipped out on Pitchfork this year in order to attend the Forecastle Festival in Louisville, KY. Founded in 2002, Forecastle continues to pick up buzz as a must-see festival, and combines music with art and activism, through its Forecastle Foundation wing.
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This is my third year attending Forecastle, and while I don’t want to play the My Festival Is Better Than Your Festival game, I will say that this is the only festival that I trust enough to buy a ticket for before the lineup is released. While the music is, of course, the reason to attend any festival, there’s always plenty of other things to keep you entertained.
Mike Bennett writesFriday iPod/MP3 Shuffle—Happy Birthday M.I.A. Edition
Today, one of more talked about recording artists of recent times, M.I.A., turns 39 years old. Mathangi Arulpragasm was born in London of Sri Lankan decent. Her family moved to Sri Lanka where, according to M.I.A., her father was part of the rebel Tamil Tigers insurgency. Life in Sri Lanka with a rebel father was unusual, with constant threats, and eventually, her family, minus her father, came back to London. She first pursued visual arts, and only in 2001, with encouragement of Peaches, did M.I.A. start making music. Using basic drum machines, she cut her first demo, and eventually met up with Diplo and releasing the Piracy Funds Terrorism mixtape, which introduced a larger audience to M.I.A.’s multi-cultural music with some hip-hop aspects and sloganeering lyrics. This was a precursor to the more polished debut album, Arular, named after her father. With songs like “Bucky Done Gun” and “Sunshowers”, she established herself as a major new artist. The follow up, Kala, founder her expanding her artistry further, but the divisive Maya album, with radically altered song structures, stalled her momentum, along with controversies surrounding her authenticity as a politically motivated artists and stupid Super Bowl hi-jinks. She regained some artistic footing with last year’s Matangi album, as she still stands as someone who is imitated. In honor of M.I.A., please grab your iPod or MP3 player, hit shuffle and share the first 10 songs that come up.