CHIRP is building an Associate Board for young professionals 35 & under. Interested? Please fill out this form.
CHIRP is building an Associate Board for young professionals 35 & under. Interested? Please fill out this form.
Requests? 773-DJ-SONGS or .(JavaScript must be enabled to view this email address)
2017 is almost over. In some ways, it can't end soon enough. In other ways, it will be remembered as a historic year of change, not the least of which involves a certain community radio station taking to the airwaves.
And of course, it's been another increedible year for all kinds of music. No matter what else the year brings, you can count on the fact there is always new music to bring into your life. With thousands of singles and albums released, it's far too much for one person to take in, let alone evaluate.
Fortunately, we at CHIRP have a fix for that. Every December, each of our volunteers has the chance to create their own Best Albums of the Year list. We'll be posting all of them throughout the month on this blog. Then, using a secret time-tested formula, we'll pick out the most-cited records and present them to you on New Years Eve as our combined CHIRP Radio Best Albums of 2017 list.
We'll kick it off on Monday, December 4th. There will be music you've heard and lots you haven't - perhaps some musical gift ideas for yourself or someone you know...? Check back all month and drink it all in. Your ears will thank you.
CHIRP & The Wicker Park Bucktown Chamber of Commerce Present Chillfest on Saturday, November 25th!! Check out details (including a sample lineup) here!
Welcome to The Fourth Wall, CHIRP's weekly e-conversation on cinema. This week's subject is the 2003 film Thirteen.
This edition is written by CHIRP Radio volunteers Kevin Fullam and Clarence Ewing.
Kevin:
Clarence, we were just talking about the challenge of writing for young folks during our discussion of The Florida Project, Penning lines for the teenage set seen in Thirteen might actually be tougher than constructing dialogue for first-graders? It's relatively easy for an adult to serve as a fly on the wall around tykes, but older kids are a far more guarded group.
Cameron Crowe famously went undercover at a California high school in order to mine the material for his landmark book (and later film), Fast Times at Ridgemont High, but here director Catherine Hardwicke goes one better; her co-screenwriter is actress Nikki Reed (age 14 during filming), who mined her own life for this quasi-autobiographical tale.
And what a life that is -- The Wonder Years, this ain't. Reed's Alpha Female, Evie, serves as the gateway for Tracy Freeland (Evan Rachel Wood), who decides to leave behind her nerdy circle of friends and make a concerted effort to move rapidly up her school's social ladder... though this comes with a hefty price. Before long, the two are ditching school, huffing, slugging each other (and self-harming when they're not), and engaging in sexual behavior far more mature than one would wish for a middle-schooler.
All the while, Tracy's relationship with her mom Melanie (Holly Hunter, in an Academy Award-nominated performance) steadily erodes. Melanie, a divorced, harried hairdresser, is bewildered by the hostile stranger that her daughter's become. As a recovering alcoholic who receives scant support from her ex-husband, Melanie is ill-equipped to keep on top of Tracy's life and reign in her wild behavior.
If you have not heard of the Chicago band No Men, truly I weep for you. This band relocated from Texas and has done a lot in the years since they’ve been on the scene.
This three-piece act is angry, femme-fronted, vocal supporters of LGBTQ, and are just fantastic artists with a unique sound. Preferably you’ll pause reading this, and listen up on their discography so that you can fully appreciate the importance of their new release, Cut, with Let’s Pretend Records.
This newest release is right on trajectory for our hopes and expectations. Consistent with the sound we know and love, Cut is characterized by a driving percussive pace and diverse melodies. It’s a two track cut and both songs hit that happy balance between aggression, tongue-in-cheek, and empowerment.