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Green / Blue Talking to Myself from Offering (Hozac) Add to Collection
Since they first left their rural birthplace of Cavan, Ireland earlier in this decade, the Strypes have had a lot going for them. Their work is consistently praised by the likes of rock royalty such as Jeff Beck, Roger Daltrey, Alice Cooper, Lenny Kravitz and many others.
They’re gearing up to support Paul Weller and Liam Gallagher for UK dates on their solo tours, and most recently, they’re back with a third studio album Spitting Image, released last June. Although it’s their third studio album, it’s their second record out in the USA due to issues with their previous label that kept their second studio album Little Victories from being made available in America except on Import.
T’was Friday the 13th and all through Chicago, punks eagerly awaited the cobwebby and spooky releases from every band with a Halloween fascination. But now that “Release Christmas” has passed, it’s time to appreciate those that rose to the occasion. The Eradicator, a Chicago-based punk band, delivered a treat that spooky night, with a full length album in The Eradicator (self-titled), released through the label Stonewalled.
by Mike Nikolich
As a teenager, I began listening to African stations via shortwave radio, a hobby I still enjoy today. Through this medium, I discovered West African artists like King Sunny Ade, Malian guitar virtuoso Ali Farka Touré and Nigerian superstar Fela Kuti.
Throughout the late 1980’s and 1990’s, my wife and I were regulars at the legendary Equator Club, near Broadway and Lawrence, and we had the chance to see many of these wonderful artists up close and personal.
I still love music from Ghana, Guinea, Mali, Nigeria and Zaire, and regularly play artists from these countries on my Friday afternoon show from noon to 3 pm. When the award-winning Chicago Afrobeat Project announced its latest LP, What Goes Up, I jumped at the chance to review it.
The DIY hardcore scene has always had its certain charms: as low as $5 covers, Old Style flowing like milk and honey, name your price albums, and my personal favorite - split side albums. For those that need a refresher, the ‘split side album’ is when two bands join up and each get a side of the vinyl. Of course, the penchant for split side albums is wholly dependent on the two bands collaborating, which is why all punks should be ecstatic over C.H.E.W.’s new album with Philadelphia band Penetrode, titled Strange New Universe. Each band has a separate digital album for their releases, and you would be missing out if you skipped a listening to C.H.E.W.’s 4 track masterpiece.
C.H.E.W. is a Chicago hardcore favorite, and you should probably know that the name doesn’t stand for anything (while they themselves joke about its meaning ranging from “Chicago Hardcore Exists Within” to “Cocaine, Heroin, Ecstasy, Weed”). They have a reputation for a ruthless rock sound and wailing femme-fronted vocals. On this album, C.H.E.W. releases 4 new tracks that deliver on everything you’d expect after hearing their first album (s/t).
written by Josh Friedberg
Michael Jackson was a genius—no joke. The man may be more remembered as an entertainer than as an artist, but separately from his groundbreaking dancing, concerts, and music videos, most of his studio output as an adult is very much worth listening to, whether or not you like to dance.
His level of craftsmanship in the studio was exceptionally high, and the picture that emerges from Steve Knopper’s 2015 biography, MJ: The Genius of Michael Jackson (which I reviewed here) is of a driven perfectionist who always strove to create something new.
Many disparage his work after 1982’s blockbuster success, Thriller, but since his death in 2009, much of his work has come under considerable especially 1991’s Dangerous. With CHIRP sponsoring a Classic Album Sundays listening party for 1979’s Off the Wall this coming Sunday, it is an ideal time to revisit the adult solo career of the King of Pop.