We're seeking new members for our 2025 Board of Directors, as well as our founding Associate Board for young professionals 35 and under. Details and application at each of the links above.
We're seeking new members for our 2025 Board of Directors, as well as our founding Associate Board for young professionals 35 and under. Details and application at each of the links above.
Requests? 773-DJ-SONGS or .(JavaScript must be enabled to view this email address)
The days of silent movies and mob entourages are far behind but the facade of glamour and decades of performance remain a centerpiece of Uptown. The Aragon Ballroom, Riviera Theater, and Green Mill Jazz Club bring weekly crowds to the doors that today appear remarkably similar to days long gone. Let's keep our fingers crossed for the ongoing stabilization of renovating the iconic Uptown Theatre.
The Uptown Theater is shown above on opening day August 18, 1925. It was said to be "as acre of seats in a magic city."
[Welcome to The Fourth Wall, CHIRP's weekly e-conversation on cinema. This week's subject is the movie The Lost City of Z. This edition is written by CHIRP Radio volunteers Kevin Fullam and Clarence Ewing.]
Clarence: This week we’re having a look at the story of Percy Fawcett, a military officer and explorer who became a minor celebrity in the UK and US due to a series of expeditions he made to the jungles of Brazil. In 1925, Fawcett and his eldest son disappeared while searching for the Lost City of Z (pronounced “Zed” by the Brits, so I will too), a place Percy was convinced held the remains of an ancient, vibrant civilization of native South Americans.
The movie is based on David Grann’s NY Times best-seller The Lost City of Z: A Tale of Deadly Obsession in the Amazon. We’re not dealing with an Indiana Jones fantasy here, but a serious interpretation of a historical figure. As such, I feel it misses several marks.
Structurally, the film has some problems. I’d say the overall pacing is “stately” and “measured” (polite ways of saying “dull”). At the same time, the film tries to dramatize more than 20 years of Percy’s life in one 2+ hour film, which results in a lot of narrative fast-forwarding. For example, there are several sequences that show the arduous journeys up river, the explorers barely staving off starvation, disease, and attacks from natives. Then, when they hit their objective, there’s a smash cut to the characters back in England. The editing choices make it seem that it’s a lot easier to get out of the jungle than to get in.
Minimalist Bliss. Joshua Abrams & Natural Information Society's new album Simultonality is In Rotation and available by request on CHIRP Radio.