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Throughout an extraordinary (to put it nicely) 2020, CHIRP Radio has remained in operations, providing music and information to our community in Chicago and beyond. The support we continue to get from our listeners is inspiring and heartwarming.
As ever, our expenses must bee accounted for. Rent must be paid. Equipment must be maintained and repaired. Hand sanitizer must be replenished.
This year CHIRP Radio is holding a shorter Fall fundraiser than usual to help keep us financially solid. We weren't able to hold our Spring fundraiser this year, so it's important for us to reach our goals for the Fall campaign.
Click here to make a one-time or recurring donation. There are thank-yous available at various levels, and your contribution is tax-deductible. Thank you!
This September, the Chicago Pubic Library selected Moshsin Hamid's novel, Exit West, as its "One Book, One Chicago" selection for 2020, describing is as "..an astonishingly visionary love story that imagines the forces that drive ordinary people from their homes into the uncertain embrace of new lands."
And for another year, the Library invited us here at CHIRP to create]https://open.spotify.com/playlist/3oA1fNLQs5VjtxQlAefgiB?si=bk2fXwoxQ_K30JTONEGSbw">create[/url] a playlist to accompany the reading.
CHIRP Radio volunteer and DJ Moizza Khan reflects on the novel and presents a playlist]https://open.spotify.com/playlist/3oA1fNLQs5VjtxQlAefgiB?si=bk2fXwoxQ_K30JTONEGSbw">playlist[/url] of music that captures the themes and spirit of this work.
“We are all migrants through time.”
In 1968, my dad came to Chicago as an international student from India, working multiple jobs and living with multiple roommates as he studied engineering at the UIC Circle campus. Shortly after his arrival, he got word that his father back in Hyderabad had passed away. He never got to say goodbye and, over time and migration, he would lose nearly all direct family ties to India.
Life in the Midwest has never been particularly welcoming to foreigners, and though my childhood was in many ways typical, I never fit in or felt the same nostalgia for the suburbs as the kids I grew up with.
My goal was to spend at least half of my 20s outside the U.S. and the only thing that kept me from achieving this was my father’s health problems after he became a widower. My greatest fear was that, like him, I would get word of his passing from thousands of miles away and never get to say goodbye.
Twice a month, CHIRP DJ and Features Co-Director Mick takes a deep dive into two albums currently in rotation on CHIRP's charts that he thinks are worth some special attention. If you haven't given these albums a listen in their entirety, let Mick make the case for why you should!
Sharhabil Ahmed
The King of Sudanese Jazz
Habibi Funk
Sharhabil Ahmed is once again holding court in his kingdom long lost to the age.
His palace has now risen like Atlantis from the briny broth of the sea or the City of Babylon from the sands of time, thanks to the relentless crate excavation efforts of Jannis Stürtz and his north-Africa allied, Berlin-based, Habibi Funk label.
Standing as the first and only proper collection of Ahmed's works to be released for mass enjoyment in the 21st Century, The King Of Sudanese Jazz is both a historical document and thoroughly tanalizing rock 'n roll record. Now in his 80s, Ahmed was, is, and will be for as long as the time permits, a man of taste and vision.
Twice a month, CHIRP DJ and Features Co-Director Mick takes a deep dive into two albums currently in rotation on CHIRP's charts that he thinks are worth some special attention. If you haven't given these albums a listen in their entirety, let Mick make the case for why you should!
Carlos Niño and Miguel Atwood-Ferguson
Chicago Waves
International Anthem
Chicago Waves is likely the most Athenian collection of improvised jazz to be released this year.
Springing fully formed from the hands, mouths, and minds of collaborators Carlos Niño and Miguel Atwood-Ferguson, Chicago Waves was debuted as an impromptu performed during the release show of Jeremy Cunnigham’s stupendous The Weather Up There, where the duo had been invited as special guest performers.
There was no precursor to the performance and no indication of its content. It merely emerged as you hear it on captured on the album, now released by Chicago’s best new jazz imprint, International Anthem.
Twice a month, CHIRP DJ and Features Co-Director Mick takes a deep dive into two albums currently in rotation on CHIRP's charts that he thinks are worth some special attention. If you haven't given these albums a listen in their entirety, let Mick make the case for why you should!
Naujawanan Baidar
Naujawanan Baidar
Cardinal Fuzz/Feeding Tube
The Afghanistan that we have come to know in the 21st century, through nightly news broadcasts on network TV and the op eds that flourish in “sensible” centrist online news spaces, is a caricature of a functional society and civil state.
Most of this reporting and editorializing assumes that the society that came into focus following the United States invasion on October 7, 2001, a backwards, medieval state in the grips of perpetual war and religious zealotry, was the country’s quintessence. A persistent state of affairs that had been in play for as long as the sun has risen over the hills of the Helmand Province.
The truth is that the Afghanistan we know today was never an inevitability. Throughout most of the 20th Century, the urban centers of Afghanistan were generally considered to be modern and hospitable, beckoning Western tourists to visit what was lauded by some to be the “Paris of the East,” namely Kabul.