We're seeking new members for our 2025 Board of Directors, as well as our founding Associate Board for young professionals 35 and under. Details and application at each of the links above.
We're seeking new members for our 2025 Board of Directors, as well as our founding Associate Board for young professionals 35 and under. Details and application at each of the links above.
Requests? 773-DJ-SONGS or .(JavaScript must be enabled to view this email address)
By crafting an engergetic, funky-dance-politio-RnB style of music nicknamed "post-punk soul," Chicago band JC Brooks (formerlly known as JC Brooks and the Uptown Sound) are one of the hottest acts to emerge from the the city's deep pool of talented musicians. The band has a new album out called The Neon Jungle (their fouth), and they are having a release party tonight at the Neon Jungle to celebrate.
CHIRP Radio volunteer and DJ Jessi D. got a chance to ask JC about the new album and what else he's been up to recently.
JD: Congratulations on the new album release! Do you know why Chop Shop was chosen as the venue for the release?
JC: We chose Chop Shop because the room sounds great and it's a perfect size to feel like there's a capital 'C' crowd but at the same time like you can give an intimate show.
JD: What's the best part of release shows, specifically?
JC: The best part of release shows is...well, the release. The letting go of this thing that you've been so close to for so long. It's like sending your kid to college or something...it's not just yours, it belongs to the world and you make the mental and emotional space to start filling yourself with something new.
Words and Pictures by Layne Lindroth
Despite the chilly Chicago air, fans assembled along the Milwaukee Avenue sidewalk long before doors-open in hopes of snagging a front row spot for The Revivalists. The band’s most dedicated fans—also known as “Revheads”—swapped stories of their favorite encounters with the band and their hopes for the setlist to come. One fan casually mentioned to some first-timers that he’d seen the band over sixty times and still thought each performance was the greatest. A band warranting sixty plus ticket purchases had to be incredible; only a couple hours before we newcomers would find out.
Finally the band—minus one—settled into their positions onstage and played the uptempo opening notes of “Bulletproof”, signaling lead singer David Shaw to center stage. From the second his wireless microphone left its stand Shaw was in perpetual motion: walking through the photography pit, stepping on gear boxes to get closer to fans, and every once in a while, launching his 6’5”-ish self high into the air. The neo-funk rock band makes the Energizer bunny look apathetic. The third song of the set, “Keep Going”, had even the most stoic of concertgoers pumping a fist and shouting the battle cry chorus, “We’ve gotta keep going, keep going, don’t care what anybody say, let the law take us away.”
Shaw continued to weave his way around the stage, riling up the crowd with his bouncing arms and strained, soulful vocals. The funky-groovy arrangement of “Stand Up” successfully institutes timewarp technology, making those not dressed in flare jeans and tie-dye feel out of place at the modern Concord Music Hall. The breezy saxophone, jumpy keys, and of course the lyrics, channel the blue-collar New Orleans roots of The Revivalists.
[Welcome to the Fourth Wall, CHIRP's weekly e-conversation on cinema. This week's subject is the Terrence Malick film Song to Song. This edition is written by CHIRP Radio volunteers Kevin Fullam and Clarence Ewing.]
Kevin: Music reviews have never done much for me. Besides the fact that I find music to be a much more subjective art form than, say, narrative fiction, I simply have a hard time translating a paragraph or three about an album into an actual sound. Let me have a listen, and within a couple of minutes, I'll know whether I want to hear more.
Why am I mentioning this? Because I view Terrence Malick's last few films in the same light, from the acclaimed The Tree of Life (2011) to the new Song To Song. One knows early on whether Malick's style is for them, and I don't think it's possible for me to do his brand justice via print. His recent works all share an ephemeral quality which has polarized audiences and critics alike, featuring scenes that seem to have no clearly-defined beginning or end, oodles of internal monologues, and a dearth of exposition. (You'd think the monologues would actually translate into more exposition, but the voice-overs don't have much to do with the actual action on screen; more often, they're ruminations on life in general.)
Quick recap: BV (Ryan Gosling) and Faye (Rooney Mara) are budding singer/songwriters in Austin, Texas, where they're embroiled in a love triangle with big-time producer Cook (Michael Fassbender). The three pick up new significant others of varying durations, reflect on their aspirations and regrets, and bump into real-life celebs (including Patti Smith, Iggy Pop, and Val Kilmer, among others) along the way.
by Susan M. Garza
Loudon Wainwright III will be performing Surviving Twin at the Old Town School of Folk Music on the 1st and 2nd of April. He is a humorist, singer, songwriter, and actor.
Surviving Twin is a song and storytelling show inspired by Wainwright’s review of his father’s LIFE magazine columns and wartime letters. His posthumous relationship with his father started when he got to laughing while reading the column his father wrote about their family dog. Wainwright wrote he and his “… long gone old man…are getting along better than we ever have.”
A visit to his homepage Lw3.com includes a link to a video of a song he wrote before the last presidential election had come to its conclusion. "I Had a Dream" is a song about what it might be like if Trump were to become president.
“Locked up the opposition and the demonstrators too
“That would be me and it might be you”
Humor is also integral to the song Man & Dog which includes:
“When a man has a dog in the city
a man has to carry him a plastic bag on his person at all times”
If you want tickets to hear Wainwright’s songs and stories in person, get on the waiting list on The Old Town School of Folk Music website. The April 1st & 2nd shows are sold out.