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Mike Bennett writesFriday iPod/MP3 Shuffle—Happy Birthday Roger McGuinn Edition
He was known for the cool Dickens-style shades he wore and his 12-string guitar parts that became part of the distinctive sound of folk-rock legends The Byrds. But Roger McGuinn was more than that. He was a constant in the band as they moved in different directions over the years, even during their short lived country period with Gram Parsons. He went on to make some good solo records, and has continued to play out, often playing traditional folk songs, which he makes available for download. Let’s pay tribute to Roger by grabbing your iPod or MP3 player, hitting shuffle and sharing the first 10 songs that come up.
Mike Bennett writesFriday iPod/MP3 Shuffle—Happy Birthday Bill Haley Edition
Today, we pay tribute to a rock ‘n’ roll pioneer. Bill Haley doesn’t quite reside in the lofty heights of Chuck Berry, Elvis Presley, Bo Diddley, Jerry Lee Lewis, Little Richard and Buddy Holly, et. al, and I suppose that makes sense. But that doesn’t mean he wasn’t important in popularizing the genre. Haley’s music was originally rooted in country & western and western swing. Like a lot of artists of the time, he searched high and low for material, and could see how the kids were enjoying faster, blues based material. Haley and his band, redubbed The Comets, basically came at rockabilly from a different direction, finding the intersection between jump blues and western swing. Haley co-wrote “Crazy Man Crazy”, a number 15 hit that was the first rock ‘n’ roll song to make the Top 40. With “Rock Around The Clock”, he found the perfect song, and a studio guitarist, Danny Cedrone, added the magic solo that turned that song into major smash. It spent eight weeks at number one and was the first single sell a million copies both in Germany and Britain. Haley had other hits and provided a somewhat safer face for the music, without being a bland pretender like Pat Boone. Let’s pay tribute to this key rock ‘n’ roll figure by grabbing your iPod or MP3 player, hitting shuffle and sharing the first 10 songs that come up.
Mike Bennett writesFriday iPod/MP3 Shuffle—Happy Birthday Robert Forster Edition
The Go-Betweens started out as a post-punk pop band out of Brisbane, Australia, coming off like Down Under cousins of groups such as The Cure and Orange Juice. As time went on Grant McLennan and birthday boy Robert Forster began incorporating influences from further back, such as The Velvet Underground and more melodic ’60s rock acts. As the band developed and evolved, they went from reflecting their inspirations to having constructed their own musical vocabulary, with rich tunesmithing and literary lyrics of uncommon depth. This approach continued through the sublime 16 Lovers Lane album. Go-Betweens fans may claim other albums to be the band’s best, but no one would doubt the quality of what apparently was the band’s swan song. Forster and McLennan both put out fine solo records, but eventually wound up back together, putting out three more fine Go-Betweens albums. McLennan’s death put an end to that, and Forster’s next solo record was a triumph, including recordings of some of McLennan’s last compositions. Forster has not put out any music since. In honor of this underrated singer and songwriter, grab your iPod or MP3 player, hit shuffle and share the first 10 songs that come up.
Mike Bennett writesFriday iPod/MP3 Shuffle—Happy Birthday Todd Rundgren Edition
He’s a pop star, a cult figure, an innovator, a classicist, and some say he’s God. Todd Rundgren first got a share of the spotlight writing songs and playing guitar for The Nazz in the ’60s, and then rose to prominence in the ’70s, with classic hit singles, highly revered albums and production work for an amazing variety of artists. His talents behind the mike and behind the boards are unassailable, but Todd has remained an unpredictable artist who, on any given day, produce a perfect pop tune, a self-indulgent mess, or something that points to the future. His idiosyncrasies probably diminish the respect he now gets, which is a big mistake, as his legacy (well captured in Paul Myers’ book A Wizard, A True Star) is extremely impressive. Let’s pay tribute to the man who produced the first Sparks album by grabbing your iPod or MP3 player, hitting shuffle and sharing the first 10 songs that come up.
Bobby Evers writesAlbums I’m Just Now Getting Into: “Body Talk” by Robyn
Whoa hey! This Deepwater Horizon thing is pretty crazy, right? And what’s with all this Wikileaks stuff? Man, 2010 is a pretty crazy year so far, right?
What’s that? It’s actually 2012? Coulda fooled me, because I just got into this Robyn album SO. EFFING. HARD.
OK, so I missed the boat by a couple years.
But let me be clear here: Body Talk is an amazing album.
Things I knew going in:
1) Robyn was a Swedish pop icon from the late 90’s who made a crazy comeback in the mid-2000’s and then took fans and critics by storm, emerging even more universally-loved than
2) This album was a 3-parter (with Body Talks 1 & 2 featuring 8 songs and this album being THE ALBUM)
3) Don’t fucking tell Robyn what to do.
Why I missed the boat:
I am not necessarily the biggest fan of POP MUSIC as a genre, or dance music as a thing. If something is really catchy, it will win me over eventually, but for the most part I was wondering what all the hype was about. I heard Konichiwa Bitches and Don’t Fucking Tell Me What To Do, and I think those songs as standalones were not going to make me LOVE Robyn with the ferocity that I now do.
Additionally when Robyn played at Pitchfork in 2010, I was dying of heat exhaustion against a tree to the side of the stage, and the sound was not that great at that angle, and I was again wondering what all the fuss was about.