We're happy to be nominated in four categories for the Reader's 2024 Best of Chicago poll. Find them all here and cast your ballot by December 31!
We're happy to be nominated in four categories for the Reader's 2024 Best of Chicago poll. Find them all here and cast your ballot by December 31!
Requests? 773-DJ-SONGS or .(JavaScript must be enabled to view this email address)
Mavis Staples & Levon Helm – Carry Me Home (ANTI-)
CHIRP Radio volunteer Kevin Fullam reports from the 2022 Chicago Critics Film Festival
This past winter, I laid out my thoughts on Red Rocket, about an 45-year-old porn star's unwholesome pursuit of a small-town high-school beauty. In Palm Trees and Power Lines, the basic framework is the same, but the lens through which we view the tale is oh-so-different.
Lea (Lily McInerney) is a bright but bored 17-year-old, spending her summer days sunbathing in her backyard and hanging with her equally lackadaisical classmates. There's a pseudo-boyfriend in the mix, but Lea is only mildly interested.
One evening, she catches the eye of Tom (Jonathan Tucker) at a diner, and when the owner grabs Lea after she and her friends have run out on the bill, it's Tom who helps her escape.
She refuses the friendly offer of a ride home, so her new benefactor decides to drive alongside her as she walks, "just to make sure she's safe." How old is Tom? 34. Oof. But when they depart, he gives her his number... and so the seed is planted.
CHIRP Radio volunteer Kevin Fullam reports from the 2022 Chicago Critics Film Festival
"Hedonic adaptation" has become a major part of my worldview. It's the idea that we gradually become accustomed to the things that once brought us joy.
If someone buys a beachfront condo, that view is gonna seem mighty amazing when they move in! The next month -- well, it's still great, but perhaps not quite as mindblowing? And a year later, yep, those are the waves rolling in... but you might only appreciate the water again when you have company over and their minds are blown.
In a similar vein, researchers have found that people also have a "base level" of happiness, and that major life events, both positive and negative, don't move the needle too much with regards to long-term satisfaction.
Disgruntled folks who experience good fortune will revert, after a period of time, to their general state of grumpiness. The well-worn adage of how "money can't buy happiness" is actually true.
This brings us to To Leslie, where the title character (Andrea Riseborough) is introduced via local news coverage in her small West Texas town. She's just won $190,000 in a lottery, and is about as excited as one might expect. Deliriously giddy, Leslie is positive that this largesse will change her life, and announces to all within earshot: "The first round's on me!"
Melody's Echo Chamber – Emotional Eternal (Domino)
by CHIRP Radio DJ and Features Co-Director Mick R (Listen to his most recent shows / Read his blog)
A grim urgency shoots through your veins like shot of nitrogen. A corkscrew sensation fans through the fibers of your spine. Your feet begin moving before your mind catches up. Your momentum carries you through a tangle of blind corners and underground corridors.
What are you looking for? What are you running from? You don’t know. All you can know that there is a sharp pain in your chest a panicked desire to move flooding your mind. This is the essence of Sharperheart. Welcome to the world to her world.
Sharperheart is Elma Husetovic, a producer and electronic artist, who has recently relocated from St. Louis to Chicago in order to pursue her passion for the dark, mystic power of sound. Last month she released a self-titled EP dripping with claustrophobically caustic atmosphere and inertial aggression. It is a twisted treaty of miasmic malevolence, that ruminates on the realities of addiction, lament, and the wars waged inside one’s own head. It sounds like hell on Earth, bubbling up from the abyss and flowing into a club near you.