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The CHIRP Blog
DJ Betynka - It's 12 O'Clock Somewhere writesElizabeth Ramborger’s Best Of 2010
Throughout December CHIRP Radio presents its members’ top albums of 2010. The next list is from CHIRP Radio DJ and treasurer Elizabeth Ramborger.
(Click here to get the complete list of CHIRP Radio members’ picks.)
My first year of DJing on CHIRP has brought a lot of new and different music my way and I’m glad to say this by-no-means-exclusive-or-even-in-any-particular-order list is influenced by the wealth of new music I’ve been exposed to from fellow DJs. It’s also been an incredibly busy year and odd that I haven’t had as much time to really process music coherently. No matter! Spending Xmas day on my couch, looking out on the snow in Ukie Village and cataloguing some of my favorites from 2010 is about the best way I could hope to spend an afternoon.
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Stornoway – The Beachcombers’ Windowsill (4AD)
BUY: Amazon / Insound / iTunes
first heard this release one afternoon when I was getting frustrated working on some paperwork at the studio. Billy Kalb threw it on and quietly backed out of the office and it did the trick. There’s something about Stornoway that makes me think of other great British songwriters…it led me to dig out some old Kirsty MacColl and Billy Bragg. Beautiful stuff that just hits me the way music should. They’re also a nice group of lads who can pull off their lyrical sincerity, raising mundane moments up into simple grandeur. -
The Fresh & Onlys – Play It Strange (In The Red)
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The prolific Fresh & Only’s brought us their best yet, improving on their previous lo-fi neo-surf-garage-psych-jangle releases with an album that haunts and twinkles and stomps. -
LCD Soundsystem – This Is Happening (DFA)
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Ironically it’s with his supposed last LCD Soundsystem record that I fall completely in love with James Murphy. One of the best moments of the summer was LCD Soundsystem taking the stage at Pitchfork—the Chicago skyline, the moon coming out…Murphy brings a warmth to his shows that took me completely off guard. Swoon. -
Robyn – Body Talk (Konichiwa_
BUY: Amazon / Insound / iTunes
I’m listing the whole she-bang of EPs here, too. From hipster guilty pleasure to full-on pop star, Robyn’s come a long way. -
Deerhunter – Halcyon Digest (4AD)
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Great hooks and beauty all over this one with a good dose of jangle. -
Sonny and the Sunsets – Tomorrow Is Alright (Soft Abuse)
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Sonny Smith strikes me as being a modern-day Jerry Lee Lewis. The Sunsets emerge from the San Francisco scene along with favorites the Fresh & Onlys and Thee Oh Sees, but with a humor and swagger all their own. “Love Among Social Animals” will put a smile on your face. -
Beach House – Teen Dream (Sub Pop)
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I hate to admit I didn’t realize the lead singer was a girl. Sort of like Yaz? The “dream pop” categorization sums it up. A beautiful album you can listen to over and over and over again -
Judson Claiborne – Time and Temperature (La Société Expéditionnaire)
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Solid local folk rock. A gorgeous album from start to finish. -
Jonsi – Go (XL)
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“Go Do” is my inner indie Nike slogan, propelling me out into the sun to just do it. Whatever it is, it will be good. -
Eddy Current Suppression Ring – Rush To Relax (Goner)
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It seems appropriate to close out this list with a band that formed at a work Christmas party (at a vinyl pressing plant!). I overlooked them awhile back when recommended to me by a friend, but this release led to an immediate purchase of their back-catalogue. Infectious garage punk. An unfortunate middle-booking at the Empty Bottle just led them to steal the show.
Other Odds and Ends
The Liminana’s – “I’m Dead” 7” (HoZac)
ooo! French pop at it’s new best! And on a local label!
Radar Eyes – “Not You Again” (B-side, HoZac Hookup Klub Record 12)
my favorite little local release, this has a nice shambolic indie pop vibe.
Black Tambourine – s/t (Slumberland)
best reissue
Posies – Blood/Candy (Rykodisc)
my favorite band ever but this wins worst Thax Douglas reference award. Oh Jon and Ken, what were you thinking?
Tony Breed writesTony Breed’s Best of 2010
Throughout December CHIRP Radio presents its members' top albums of 2010. The next list is from local cartoonist, CHIRP Radio DJ, and Marketing Co-Director Tony Breed.
(Click here to get the complete list of CHIRP Radio members' picks.)
It’s been a great year for music, which makes it a hard year for making a top 10 list. (I could easily have made a top 20.) As usual, I labored too hard over this list, and will want to rearrange it in a few month’s time anyway. Well. I can stand by my decisions through the end of the year, anyway.
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Janelle Monáe – The Archandroid (Atlantic)
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It’s a little bit rock and a little bit soul and a little bit hip hop and a little bit 1960’s Disney musical. Janelle Monáe debut full-length album is impressively diverse, but more importantly, it works, start to finish. It’s also proof that the album format is still vital – don’t just buy the songs you like from iTunes, buy the whole thing and listen to it start to finish. -
LCD Soundsystem – This Is Happening (DFA)
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James Murphy’s latest (and last, so he says) album is his best yet. This Is Happening mines the depths of 1980’s synthpop (think The Human League) without sounding like a retro fetishist. I think I’m OK with this being the last LCD Soundsystem album (because I suspect Murphy has developed this idea as far as it will go), but I do hope we continue to hear from him in other projects. -
Joanna Newsom – Have One On Me
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Brilliant. Newsom is also an artist who just keeps getting better. OK, I accept that she’s not for everyone. But if you haven’t made your mind up, this is the album to check out. The music on Have One on Me is complex and dense and gorgeous. I recommend listening to it on headphones. -
Shearwater – The Golden Archipelago
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More good headphones music. The Golden Archipelago explores the theme of life on islands in 11 lush and heady tracks with that prog-rock edge I find so irresistible. -
Ariel Pink’s Haunted Graffiti – Before Today (4AD)
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Nothing sounds like Ariel Pink except Ariel Pink. And to be honest, I never really got it before. Some songs I liked, but generally I could take or leave the albums. I don’t really know what it is about Before Today that is so good, but I just love this album. It’s got a wistful, nostalgic quality to it — but not idealized; murky, like memory. -
Kings Go Forth – The Outsiders Are Back (Luaka Bop, Inc.)
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Hot, from start to finish. Kings Go Forth revisit disco and funk and make you want to get up on the floor and dance. -
Flying Lotus – Cosmogramma (Warp)
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Avant garde music makes you think, but it’s not always easy on the ears. Cosmogramma is good music and a good listen. The album includes both samples of Sun Ra and samples of people playing ping pong. All that could have been very good, or terrible. Fortunately for us, it’s excellent. -
Laura Marling – I Speak Because I Can (Astralwerks)
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It’s entirely possible that out of all my picks for this top ten list, this is the album I will end up listening to the most. It’s not the lyrics, though they are good; it’s not the beautiful melodies – it’s Laura Marling’s gorgeous, gorgeous voice that really carries this album. -
Martha & The Muffins – Delicate (Muffin Music)
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After an 18 year hiatus, Mark Gane and Martha Johnson are back with new material. Frankly, I was worried. This is one of my favorite bands; what if it wasn’t good? Comeback material is so often weak. Well, no worries, this album is pretty great. -
Canasta – The Fakeout, The Tease, and The Breather (Canasta)
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One of my favorite local bands, Canasta makes smart, catchy chamber pop. The Fakeout, the Teaser, and the Breather further develops the band’s sound. I have special affection for “Choosing Sides”, a cheerful-sounding tune about an ordinary, ugly divorce.
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Honorable Mention:
Laurie Anderson — Homeland
Arcade Fire — The Suburbs
Broken Social Scene — Forgiveness Rock Record
Elvis Costello — National Ransom
Dungen — Skit I Alt
In Tall Buildings — In Tall Buildings
Sharon Jones & the Dap Kings — I Learned the Hard Way
The National — High Violet
Yeasayer — Odd Blood -
Songs of The Year:
Songs so good that I’m afraid I might overplay them. I could certainly play them every show and never get tired of them.
Mark Ronson & The Business Intl — "Lose It (In The End)" [feat. Ghostface Killah & Alex Greenwald] Amazon / Insound / iTunes
Yeasayer — "O.N.E." Amazon / Insound / iTunes
In Tall Buildings — "The Way to a Monster’s Lair" Amazon / Insound / iTunes
Laurie Anderson — "Only an Expert" Amazon / Insound / iTunes
Nicole Oppenheim: Ear Candy writesNicole Oppenheim’s Best of 2010
Throughout December CHIRP Radio presents its members’ top albums of 2010. The next list is from CHIRP Radio DJ Nicole Oppenheim.
(Click here to get the complete list of CHIRP Radio members’ picks.)
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Sleigh Bells – Treats (Mom & Pop Music)
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Not only was this album the soundtrack to virtually every summer party I attended, but songs from it were also featured prominently on every road trip mix I heard this year. For good reason: the songs are chock full o’ infectious grooves, thunderous guitar riffs, and sugary-sweet vocals. What more could you want from a pop record? I’ll admit I was disappointed by Sleigh Bells’ live performance at Pitchfork, but I dare you to play “Crown on the Ground”, “A/B Machines”, or “Kids” without wanting to dance around your living room. I’m reasonably sure it’s impossible. -
Dum Dum Girls – I Will Be (Hozac/Sub Pop)
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Whispery female vocals, Shoegaze throwback melodies, poignant lyrics? Sign me up! That’s pretty much all that needs to be said about this record. Oh, and if you didn’t like it for some reason, don’t try to friend me on Facebook. It’s not going to work out for us. -
The Vaselines – Sex With an X (Sub Pop)
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Like many people my age, I first heard of The Vaselines thanks to Nirvana, who covered their songs on MTV Unplugged. I listened to them. I liked them. I (regrettably) forgot about them. Thankfully, I rediscovered The Vaselines when this album was released this fall. Again, it’s a near-perfect pop record (do you sense a theme to this list?) with a really great sense of humor. Does it get better than the title track, “I Hate the 80s”, or “Mouth to Mouth”? So many standout singles on this one, it’s hard to believe they all fit on one album. -
The National – High Violet (4AD)
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As much as I love clever pop music, there’s also a significant place in my heart for songs about heartache, depression, and general world-weariness. Enter The National. On a personal level, 2010 is not remotely in contention for Best Year Ever status. Not that 2010 was horrible, but it wasn’t earth-shatteringly great, either. For all the bumps in the road, it was nice to have an album like this to listen to. The songs didn’t magically make everything better, but the music was there for commiseration. It was like having a messy heart-to-heart over a beer with your best friend. It hurts so good. -
Robyn – Body Talk (Konichiwa)
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Before Pitchfork this summer, I liked Robyn. After Pitchfork this summer, I LOVED her. It was something like 4000 degrees the day of her performance and there’s this pale little pixie decked out in a leather and knit dress, dancing and singing her heart out. She never missed a beat and kept the crowd on its feet the whole time. She even swore in two languages when talking about how hot it was. Oh, Robyn. You made my bitter, shriveled heart grow at least three sizes that day. Finally! An intelligent woman who calls her own shots on her own label, no less, and plays awesome pop music you don’t feel guilty for loving. This is pop perfection. Thank you, Robyn!! -
Wolf Parade – Expo 86 (Sub Pop)
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Anyone who knows me well won’t be shocked to see this record on my top ten of the year. I loves me some Wolf Parade. I’ll admit it. WP’s sound changes with each album, which is one of the things I like most about them. They aren’t afraid to experiment and grow as artists. And unlike many bands, Wolf Parade is at their best when they are growing and changing. Expo 86 is not just another Apologies to the Queen Mary. It’s a record that can stand on its own with tracks like “What Did My Lover Say? (It Always Had To Go This Way)”, “Little Golden Age”, and “Two Men in New Tuxedos”. It’s also great to see and hear a band come into its own. On previous albums, it was obvious who penned each track. Not so on this one. The magic is in the mystery. -
The Soft Pack – The Soft Pack (Kemado)
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Garage rock + Surf rock = you know this band’s from the West Coast. And if their debut album is anything like what we can expect from them in the future, I’m one happy, happy camper. Each song on this album is simple and poppy. You’ll find yourself humming snippets from various tracks for days after listening to them. Their sound is nothing trail-blazing; it’s three-chord garage rock with some surf thrown in for good measure. But it is TIGHT. It’s not about re-inventing the wheel. It’s about making the best wheel possible. -
Deloran – Subiza (True Panther Sounds)
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Just another reason to love Barcelona. Delorean hails from the Spanish city and already has quite the following in Europe. It’s about time we Yanks started taking notice—this is Delorean’s fourth album, after all. What is so great about Delorean’s music is that it’s so clean. There are the odd thumps and yelps here and there, but generally, it’s just a smooth beat with vocals that meld perfectly into the song. Each track offers something different—kind of like that box of chocolates Forrest Gump was always talking about. You never know what you’re going to get, but you know it will be tasty. -
The Depreciation Guild – Spirit Youth (Kanine)
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If my emotions had a sound, it would be this. Shoegaze-y melodies, fuzzy vocals, classic dream pop-ery. It’s all sorts of pastel colored cotton candy in your head. And it’s awesome. Again, no shocker that some of the members of The Pains of Being Pure at Heart (who made my favorite record of 2009) are also in The Depreciation Guild. Every track deserves a listen, but standouts are: “Trace”, “Blue Lily”, “Spirit Youth” and “Through the Snow”. If loving electro-dream pop is wrong, I don’t wanna be right. -
Hot Chip – One Life Stand (Astralwerks)
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Another true confession: I heart the Pet Shop Boys. I don’t think you could have grown up in the ’80s and NOT loved them, but I digress. Hot Chip is a pop band with some seriously dance-tastic grooves, not unlike the Pet Shop Boys. There’s the synth sound, the falsetto vocals, the posh accents. But there are also some risks taken here that secured Hot Chip a place in my Top Ten. While every song on this album could certainly be described as a “dance track”, there is still a wide variety. You get ballads, hard-and-fast club mixes, melodic mid-tempo beats, and classic pop songs. If it’s worth dancing to, these guys can make it happen. So, do yourself a favor. Put away all the neon spandex and Aqua-Net and put on a new pop record like this one. The ’80s were fun, but the future of pop is better. Trust this.
Mike Bennett writesFriday iPod/MP3 Shuffle—Happy Birthday Will Oldham Edition
Let’s wish a Happy Birthday to a man who put his own stamp on Americana, and did so under a number of different monikers. Will Oldham a/k/a Bonnie ‘Prince’ Billy, has recorded as Palace Brothers, Palace Songs and Palace Music. He’s even recorded under his own name. Along with kindred spirits like Bill (Smog) Callahan, Oldham has led a sort of anti-folk movement, with recordings that make him sometimes sound like an old man. In addition to his recorded work, he’s made well-received forays into film acting. Let’s salute Bonnie Will by grabbing your iPod or MP3 player, hitting shuffle, and sharing the first 10 songs that come up.
- The Bongos — Three Wise Men (Drums Along The Hudson): An appropriate start on a Christmas weekend. But this percussive pop song has nothing to do wit the tale of baby Jesus. Instead, it’s a hyper tune that actually shares a bit in common with the early work of The Feelies. The drums and the strumming guitar dominate the proceedings on this cool tune.
- Yello — Desert Inn (Stella): One thing that made Yello stand out from many of their synth rock brethern was their use of guitar and drums on a lot of their songs. Here, it’s a cool stuttering guitar part mixed with prominent electronic percussion and some great atmospheric synths. Stella might have been Yello’s best album in terms of having a cinematic quality on almost every song. This tune goes in a few different directions, in a cohesive manner, in just a few minutes. And it has some real catchy parts.
- Danny Wilson — Charlie Boy (Be Bop Moptop): In the late ’80s, there was a small explosion of sophisticated UK pop groups. Some were teeth grindingly annoying (like Johnny Hates Jazz and Curiosity Killed the Cat), while there were others, like Swing Out Sister, Deacon Blue and Danny Wilson who did themselves proud. Danny Wilson sounds at times like a cross between Divine Comedy and Steely Dan. Some of their songs aren’t really hooky, but sound great nonetheless, like this one.
- The Insomniacs — Maryanne Lightly (Switched Out): A garage rock band with a strong mod influence (their logo is a heart shaped variation on the classic mod target), The Insomniacs cranked out consistently good albums for a few years. This song has a great fuzz guitar part and would make any freakbeat fan freak, with its strong drumming and deceptively sturdy melody lines.
- Ramones — Ramona (Rocket To Russia): It didn’t take to long for Ramones to wax some tunes that were not even slightly punk and simply showed what a fantastic pop group they were. Moreover, songs such as this one are pretty much homages to the classic girl group sound. Some Pipettes type group should cover this tune.
- Roxy Music — Out Of The Blue (Country Life): The evolution of Roxy Music from a hyper glammy/Velvet Underground inspired band to the lush lounge lizards that gave the world the make out classic Avalon is fascinating. Country Life is a key step in that journey, primarily because of epic songs like this one. This song is so swirling and beautiful with a palpable sense of drama. And Bryan Ferry milks it for all its worth. As with Yello, this has cinematic flair.
- House Of Freaks — King Of Kings (Tantilla): This Virginia band may have been the first guitar/drums duo that I was aware of, a decade or so before The White Stripes and so many others. Bryan Harvey wrote urgent folk rock songs and drummer Johnny Hott lived up to his name, matching Harvey’s intensity at every turn. This song is pretty urgent from the get go, but really builds up in the chorus. Underrated band.
- Shudder To Think — Trackstar (Pony Express Record): Shudder To Think is the rare band that got a major label deal and then made a record that was even more inaccessible than the indie releases that proceeded it. On this album, Nathan Larsen made his presence felt, pushing the odd tempoes and dissonant chords, finding places where melodies could bloom and riffs could rock along the way. This provides a great showcase for the vocal acrobatics of Craig Wedren. This is a moody number with a jazzy feel that eventually devolves into something more grinding and menacing.
- Nothing Painted Blue — Career Day (Placeholders): A nice jangly mid-tempo tune from this California band noted for Franklin Bruno’s clever lyrics. Bruno has a distinct, albeit limited, voice and he always did a good job finding musical settings that didn’t highlight his weaknesses. Something about this song has a bit of an Elvis Costello feel, but a bit more relaxed.
- Jimmy Cliff — The Harder They Come (The Harder They Come): The soundtrack to The Harder They Come is an essential reggae album, and the title song, from the star of the movie is a sunny yet defiant anthem. This is a stone cold classic and there isn’t much more to say about it.
Caitlin Lavin writesCaitlin Lavin’s Best of 2010
Throughout December CHIRP Radio presents its members' top albums of 2010. The next list is from CHIRP Radio DJ and Assistant Guest Coordinator Caitlin Lavin.
(Click here to get the complete list of CHIRP Radio members' picks.)
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Best Coast – Crazy For You (Mexican Summer)
BUY: Amazon / Insound / iTunes
Haters gonna hate, but I dig this record. A bunch of sunny, fun pop songs from the Sunshine State. Oh wait, that's Florida. Whatever. I can get down with Bethany Cosentino, seems like she likes the finer things in life. Hanging out, cats, smoking weed. Will this band be popular next year? Who cares, that's what year-end lists are for. -
Dissapears – Lux (Kranky)
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Quite possibly my favorite local band currently. CAN, Suicide, Wire, Joy Division all rolled up into one heavily distorted and repetitive bliss. Also, I love it when Brian Case goes "WHAAAAT!" -
Dum Dum Girls – I Will Be (HoZac/Sub Pop)
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2010 had a lot of "girly" fronted bands and this one was at the top of the top. Great harmony, perfect pop songs. This record made me nostalgic for a time that was around before I was born, riding w/ my Johnny and his leather jacket. -
Joanna Newson – Have One On Me (Drag City)
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Yet again an artist that I would've never thought would ever be on my year end list had made the cut. Never really understood Joanna Newsom before. Her last record, Ys was too overblown for me and her voice grated on my eardrums. When I saw that her 3rd release was going to be a 3CD/LP set, I groaned. But this one grew on me. There was just enough instrumentation to make each song exquisite, and it seems like Joanna has finally grown into her voice, it's a lot more playful and melodic. This is a headphones record for sure. -
Magic Lantern – Platoon (Not Not Fun)
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Awesome spaced out psychedelic record from California. I don't have much to say except give it a few spins real loud after a long bong hit. (It's even great without hallucinogens.) Produced by Bobb Bruno of Best Coast, who was rad before people started going crazy for his current band. -
Benoit Pioulard - Lasted (Kranky)
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Some people describe Benoit Pioulard as "bedroom pop." What does that even mean? I hope it means that he'll play some of his songs in my room someday, that would be pretty sweet. This is his third full length on kranky and definitely his best. Ambient loops act as buffers between lush, guitar ditties over his soft alto. Also, his name isn't really Benoit Pioulard, it's Thomas. But his stage name conjures up my imagination of a brooding existential French man, so that's all right with me. -
Sharon Jones & The Dap-Kings – I Learned the Hard Way (Daptone)
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2010 had its share of soul revival, but Sharon Jones has been doing it the hard way for a long time. Now in her 50s, she had several jobs including a prison guard before she started singing professionally a few years ago. The first time I listened to this record, I instantly replayed it a second time. I wish I could wail like her and have a backing band of studious looking brass-guys. Sharon Jones is my hero. -
Super Wild Horses – Fifteen (Hozac)
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Two super cute chicks from Melbourne, Australia that didn't even know how to play instruments before starting up this band made one hell of a rockin' record. It gives me hope for whenever I decide to finally pick up my guitar and learn to play. "Mess Around" is one of my favorites of the year, and a totally this decade's "Girls Just Wanna Have Fun." -
Ty Segall – Melted (Goner)
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If you look at producing credits for garage records in 2010, there's a pretty good chance you'll see Ty's name on the cover. So it makes sense on why this is one of the well produced garage rock records of the year, and quite possibly ever. This guy knows how to write a pop song. He's also cute. I gotta big crush on him. -
Belle & Sebastian – Write About Love (Matador)
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I may be a bit biased, 'cause this is my favorite band. Their first record in nearly five years is something quite special. A well-done blend of their glossy newer songs mixed with the intimacy of their older ones. When I first heard "I Want the World To Stop" I nearly cried, cause it had been so long since they had written a song like that, and it's like they haven't missed a beat.
Best Reissue:
Black Tambourine – s/t (Slumberland)
The Welders – 7" (BDR) ("P-E-R-V-E-R-T, You're a perv with a capital P!" – that's all you need to know)
Honorary Mentions:
The Mantles – EP (Mexican Summer)
Moonhearts – s/t (Tic Tac Totally)
Zola Jesus – Stridulum EP (Sacred Bones)
Swiss Dots – Glaciers (Vinahyde)