If you didn't vote early, vote today! Find your polling place here. And if you're not registered, you can do it on site with two forms of ID including one showing your current address.
If you didn't vote early, vote today! Find your polling place here. And if you're not registered, you can do it on site with two forms of ID including one showing your current address.
Requests? 773-DJ-SONGS or .(JavaScript must be enabled to view this email address)
Julmud جُلْمود – Tuqoos | طُقُوس (Bilna'es)
Welcome to The Fourth Wall, CHIRP's e-conversation on cinema. This week's subject is the 2021 film After Yang.
This edition is written by CHIRP Radio volunteers Kevin Fullam and Bobby Evers.
________________________________________________________________
"Are you happy, Yang?"
-- "I don't know if that's the question for me."
-------
"Did he ever want to be human?"
-- "That's such a human thing to ask, isn't it? We always assume that other beings would want to be human. What's so great about being human?"
________________________________________________________________
Kevin:
As the idea of artificial intelligence and androids comes closer to fruition, we seem to be shifting to a kinder, gentler species of robots in Hollywood, no?
The days of T-800s and renegade replicants are on the wane, while a growing number of today's celluloid "technos" -- whether they exist in the ether as in Her, or in corporeal form like the title character of After Yang -- no longer have designs on world domination. As Samantha of Her alludes to, well... what would be the point from a computer's point of view? It's far more likely that an autonomous AI would consider humans not worth the bother. What Yang and others of its ilk can offer us, however, is reflection on what it means to be human.
by CHIRP Radio DJ and Features Co-Director Mick R (Listen to his most recent shows / Read his blog)
a Light Sleeper is an orchestral rock band from right here in Chicago. They’re an expressionist collective founded by friends Dheeru Pennepalli and Matthew Jung back in 2005.
The group has weathered many a shifting tread in DIY music but has remained dedicated to an investigation of the ghostly ambient potential of chamber music through a blurring of the line between rock band and orchestra.
Their latest album Distinction (a Ballet in Six Parts) dropped back in 2019 and was the first recording they produced with the current lineup. The album is an interrogation of the creative process, its challenges, the anxieties it allows to manifest, and the intoxicating by ultimately fleeting victories it offers.
Notable highlights like the pensive “Ends and Means” and the title track presently a swarthy swooning croonerism that resembles a demonic twist on a Norah Jones set, while numbers like “Invisible Measures” and “Blankly Stated Spaces” manage to muster an exhilarating tension and momentum through the interplay of jazz-like theses and curving post-rock ramparts.
a Light Sleeper will be playing at the Hideout on May 3, 2022 with Maurice and Graphics. Doors open at 9:30pm, and entrance is $12. You can get tickets here. Remember to bring a mask and proof of vaccination.
Because we’re excited about their upcoming show and a Light Sleeper in general, we had a quick, but highly informative (if we do say so ourselves) chat with the band via email and you can now check out the full interview below.
Julmud جُلْمود – Tuqoos | طُقُوس (Bilna'es)
Kaina – It Was A Home (City Slang)