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Chicago band My Gold Mask has been making music together since 2008. Experiencing their albums, including their newest release Anxious Utopia, one will hear a distinct combination of influences including polished Pop and indigo moods of Goth and Darkwave. In this band’s hands, these flavors mix together in a unique and satisfying fashion that may well inspire a trip to the dance floor to shake off the last bits of winter.
Songs from Anxious Utopia are available for listening both in rotation and by request on CHIRP Radio.
written by Jessi Roti
I’ll admit it –I’ve talked my fair share of trash regarding “Dad Rock.” You know “Dad Rock,” or Arena Rock, Classic Rock –the older, white dudes who still do their best to reclaim that youthful exuberance they had in the late 1960’s – early 1970’s, but come off more as caricatures of themselves. Dads eat that up, trust me. I grew up with it with my parents driving my sister and me around blasting the best of Tom Petty, The Rolling Stones, The Beatles, Led Zeppelin, you name it. As a younger person, I didn’t get it. As a woman, I really didn’t get it. But that has all changed, and I owe it to Bruce Springsteen and The E-Street Band.
After becoming obsessed with Bruce’s Born to Run album during my senior year of college, I didn’t hesitate to buy tickets when a tour in support of Springsteen’s latest box-set release The Ties that Bind: The River Collection. The band was to play The River album in-full along with other Springsteen classics. Yes, sign me up and over-charge me with those fees, Ticketmaster.
On March 3, 2016, my sister and I made it to the BMO Harris Bradley Center in Milwaukee, WI to be “transformed,” as Bruce says, by The Boss and the E-Street band themselves. Transformed may be too strong of a word, but I was moved in a way that I didn’t expect. For the first time in a long time, I was reminded of why music is one of the last art forms that can truly stand the test of time from generation to generation.
I go to shows all the time. I used to joke that I had been to more shows than days of school (which I still believe to be true). Yet there’s something to be said about the stadium show that makes you feel like you’re at the local venue/bar, a much more intimate setting, experiencing an artist you love. I’ve been to plenty of big, classic rock shows, from the aforementioned Tom Petty, Peter Frampton, to Robert Plant and Bob Dylan. But there was something about this show that truly transcended age gaps, gender gaps, social class, and race that made me feel I was a part of something special.
Photo Source: DaBelly Magazine
Today we celebrate the birthday of Bruce Watson, lead guitarist and longtime member of the band Big Country. While they never dominated the US charts, they had a few international hits while building a solid following in the UK and Europe with a rustic yet punkish Rock sound. It was also a very Scottish sound, courtesy of Watson’s guitar which sounded like a bagpipe fused with a mandolin. The piercing hooks helped define songs like “Fields of Fire (400 Miles),” “Wonderland,” and one of the all-time ‘80s-est of ‘80s tracks “In A Big Country.”
The band released eight studio albums before the death of lead singer Stuart Adamson, who succumbed to alcoholism. Despite the tragedy and a few lineup changes, Bruce and the band remains together and continues to perform and tour. Let’s honor Watson and Big Country’s ability to keep on keepin’ on: Take your MP3 player, press the "shuffle" button, and share the first 10 songs that play: