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By CHIRP Radio DJ and Features Co-Director Mick R (Listen to his most recent shows / Read his blog)
Chicago's Methadones are one of the more consistent and best-remembered bands of the pop-punk revival of the early '00s. What started as a side project for Dan Vapid back in 1993 while he was still playing guitar in Screeching Weasel, quickly became his main gig after leaving Weasel and his other other band, the Riverdales.
With a penchant for classic pop-song structures and a shrugging, down-to-earth attitude, they were emblematic of a certain counter current in the punk underground that resisted the drive for fame and fortune (back when both were still viable career routes), sticking with the more earnest motivations of having fun with friends and making personally validating art.
They came into their own as a full band in 1999 when Dan recorded a handful of songs with Chris Barnard of the Mopes and Weasel drummer Dan Lumley. In two short years, the group had their debut out on A-F Records and were touring with bands like Dillinger Four and the Lawrance Arms and filling out the lineup of the then nascent alternative rock showcase Riot Fest, performing with a steady lineup of Sensitive Pete on bass, Mike Byrne on second guitar, and Mike Soucy on drums.
In 2007, they released their final studio album, the power-pop wrecking ball, This Won't Hurt... on Red Scare Industries, which featured some of their most well crafted and catchy songs, including the power-chord pin-wheel "Six Degrees of Seperation," the pumped-up pogo-pop of "Turning Up the Noise," and shredding confessional "Falling Forward."
The band would break up in 2010 with a final compilation being released on Asian Man, and many of the members would go on to play with Dan's other band, another group intended to be a one-off for a Memorial Day set, the Cheats. The Methadones have been mostly silent for the past 10 years, playing sporadic reunion shows but mostly moving on with their lives. But their relative absence hasn't dampened enthusiasm for their music. If anything, they're bigger now than they've ever been, traveling internationally to play festivals in Italy and co-headlining this year's T1 Fest in Chicago with Nerf Herder.
Because it's always exciting when the Methadones relapse back into the rock 'n roll lifestyle and start playing shows again, I caught up with the group's current members to feel out how the past decade has treated them and find what we can expect from the band next.
Mavis Staples & Levon Helm – Carry Me Home (ANTI-)
CHIRP Radio volunteer Kevin Fullam reports from the 2022 Chicago Critics Film Festival
This past winter, I laid out my thoughts on Red Rocket, about an 45-year-old porn star's unwholesome pursuit of a small-town high-school beauty. In Palm Trees and Power Lines, the basic framework is the same, but the lens through which we view the tale is oh-so-different.
Lea (Lily McInerney) is a bright but bored 17-year-old, spending her summer days sunbathing in her backyard and hanging with her equally lackadaisical classmates. There's a pseudo-boyfriend in the mix, but Lea is only mildly interested.
One evening, she catches the eye of Tom (Jonathan Tucker) at a diner, and when the owner grabs Lea after she and her friends have run out on the bill, it's Tom who helps her escape.
She refuses the friendly offer of a ride home, so her new benefactor decides to drive alongside her as she walks, "just to make sure she's safe." How old is Tom? 34. Oof. But when they depart, he gives her his number... and so the seed is planted.
CHIRP Radio volunteer Kevin Fullam reports from the 2022 Chicago Critics Film Festival
"Hedonic adaptation" has become a major part of my worldview. It's the idea that we gradually become accustomed to the things that once brought us joy.
If someone buys a beachfront condo, that view is gonna seem mighty amazing when they move in! The next month -- well, it's still great, but perhaps not quite as mindblowing? And a year later, yep, those are the waves rolling in... but you might only appreciate the water again when you have company over and their minds are blown.
In a similar vein, researchers have found that people also have a "base level" of happiness, and that major life events, both positive and negative, don't move the needle too much with regards to long-term satisfaction.
Disgruntled folks who experience good fortune will revert, after a period of time, to their general state of grumpiness. The well-worn adage of how "money can't buy happiness" is actually true.
This brings us to To Leslie, where the title character (Andrea Riseborough) is introduced via local news coverage in her small West Texas town. She's just won $190,000 in a lottery, and is about as excited as one might expect. Deliriously giddy, Leslie is positive that this largesse will change her life, and announces to all within earshot: "The first round's on me!"
Melody's Echo Chamber – Emotional Eternal (Domino)