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The CHIRP Blog

Mike Nikolich writes15 Minutes With Teleporter

Elliot Gitter of Teleporter will perform solo at CHIRP Night at the Whistler on April 25. (Photo by Harley Friedman)

Elliot Gitter is the lead guitarist, vocalist and principal songwriter for Teleporter, who opens for ADT at CHIRP Night at the Whistler this Wednesday, April 25 at 8 pm.

Gitter will perform solo at the Whistler, focusing mostly on new material. We caught up with him to find out what he has in store for the Whistler audience.

Q : How long has Teleporter been together?

A: Nick and I started playing together with Jeremy in 2012 and recorded The Martian Chronicles in 2013 with engineer Barrett Guzaldo. At the time, I was living in a house in Chicago with several of my friends. I recorded the demos at my home studio, using an eight-track analog console. We would sample a bunch of sounds and create music.  After we completed the sessions, Barrett went on to create Treehouse Records with Matt Gieser.

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Categorized: CHIRP Radio News and Info., Interviews

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SKaiser writes@CHIRPRadio (Week of April 23)

UPCOMING EVENTS

NEW MEDIA

  • Local rap artist known as Fury sat down with Features Director Amelia Hruby
  • First Time: First Dream with Adam Lawson
  • Miranda Phelps sat down with Dessa, a member of hip-hop group Doomtree

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Categorized: Events Journal

Clarence Ewing: The Million Year Trip writes@CHIRPRadio (Week of April 9)

Upcoming Events

New Media

Top of the CHIRP Charts

1. Wye Oak – The Louder I Call the Faster I Run (Merge)

2. Alice Bag – Blueprint (Don Giovanni)

3. FACS – Negative Houses (Trouble in Mind)

Click here to see the complete list of 50 albums that made this week’s charts as well as new music recently added to CHIRP’s library.

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Categorized: CHIRP Radio News and Info.

Kevin Fullam writesThe Fourth Wall: Revolutionary Road

Welcome to The Fourth Wall, CHIRP's weekly e-conversation on cinema. This week's subject is the 2008 movie Revolutionary Road.

This edition is written by CHIRP Radio volunteers Kevin Fullam and Clarence Ewing.

Kevin:

The honeymoon is over. Now what?

Throughout much of Hollywood's history, it seems that marriage (especially the wedding) has been utilized as a feel-good capper on many a love story. It's practically a requisite for any traditional rom-com film, right? These tales are usually told from a female perspective*, where the heroine sets out to nab her beau, and the pair ride off into the scripted sunset, either just pre- or post-altar festivities. 

[*though certainly not always -- but interestingly, similarly-styled relationship films with male leads (say, High Fidelity) are seldom referred to as romantic comedies.]

I've often wondered how much of an impact these messages have on our own desire to get hitched? The pressure comes from all sides in American culture: mass media, religion... hell, even the tax code subtlety encourages it. But for decades, scant attention was paid to the discarded husks of marriages gone wrong. And with a divorce rate estimated at around 50%, we have no shortage of fractured homes in the good ol' United States.

Celluloid has caught up in recent decades, with tales about the nightmare of child-custody battles (Kramer vs. Kramer), to the insanity of knockdown, drag-out enmity (War of the Roses). But I'm not sure that any film has done a better job of illustrating the Descent Into Marital Despair that's featured in Revolutionary Road.

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Categorized: The Fourth Wall

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