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Kevin Fullam writesThe Fourth Wall: The Verdict

Welcome to The Fourth Wall, CHIRP's weekly e-conversation on cinema. This week's subject is the Paul Newman legal drama The Verdict.

This edition is written by CHIRP Radio volunteers Kevin Fullam and Clarence Ewing.

Kevin:

Why do courtrooms make for perfect Hollywood environments?

1) The guts of the action is contained within one arena. 

2) The proceedings allow for star thespians to showcase their dramatic chops through impassioned arguments and clever questioning. 

3) As in sports, cases usually offer up clear winners and losers -- with an added benefit of suspense right before the jury announces a verdict.

I grew up watching Perry Mason telemovies -- where Mason would not only successfully defend his own clients, but also reveal the trueculprits through his infamous "Isn't it true..." interrogations. It's interesting how criminal defense attorneys are generally not held in high regard by the much of the public in real life... the unfortunate perception is often that they're defending crooks, right? But in fiction, they have made for some rather popular big-screen heroes. (To Kill a MockingbirdA Few Good Men, etc.) 

Another segment of the legal profession that's generally treated with derision? Malpractice lawyers, often considered a subset of the "ambulance-chaser" contingent whose growing presence has inspired heated debates on tort reform. In 1982's The Verdict, Frank Galvin (Paul Newman) is one of those attorneys, although he's clearly down on his luck and spending far more time playing pinball at the local pub than working on cases. 

Frank has been offered one last lifeline from longtime colleague/mentor Mickey (Jack Warden) -- a case where a pregnant woman was given an anesthetic during childbirth, wound up vomiting due to a mixup re: her last meal, and has since become comatose. It's an open-and-shut settlement; the Archdiocese running the Boston hospital doesn't want the negative attention of a trial, and Galvin stands to clear a healthy sum with his 1/3 cut of the payoff. 

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Categorized: The Fourth Wall

Clarence Ewing: The Million Year Trip writesPitchfork 2017 Is Here!

The 12th annual Pitchfork Music Festival is here! Headlined by LCD Soundsystem, A Tribe Called Quest, and Solange, it’s going to be a weekend of music, music, and music in Union Park. CHIRP Radio will also be there hosting the CHIRP Record Fair and Other Delights. OTher attractions include Flatstock, Renegade Craft Fair, Book Fort, and a host of non-profits and independent vendors.

A few single day tickets are still available - you can get them here. We'll see you there!

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Categorized: CHIRP Radio News and Info.

CHIRP Radio writesFestival Review: Mamby on the Beach 2017

written by Ken Smith

Lakeshake doesn’t get all the fun as the Beach bunz, Volleyball and musical takeover of Oakwood beach that is Mamby on the Beach! With more than just music, Mamby is the biggest it’s been in its 3 year history.

A long teepee installation greets you as you enter the festival. There were all kinds of art pieces near the entrance and scattered around the festival. Dream catchers floating from sets, shrubbery that spelled “Mamby”, as well as our president graffitied in the prettiest colors along the concrete walls, smiling at you when you walk in. What a lovely face…what a lovely face.

My personal favorite was a giant glass sculpture that was pretty in the day but truly lit up at night.

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Categorized: Events Journal

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Clarence Ewing: The Million Year Trip writesIn Rotation: 88 Fingers Louie

Chicago Hardcore band 88 Fingers Louie came roaring onto the scene back in 1993 and have been making music in some form (together and apart) ever since. Their new album Thank You for Being a Friend (Bird Attack) is their first batch of new music in 19 years. You can hear cuts from the record by request and in rotation on CHIRP Radio.

 

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Categorized: In Rotation

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Clarence Ewing: The Million Year Trip writes@CHIRPRADIO (Week of July 10)

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