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Welcome to The Fourth Wall, CHIRP's e-conversation on cinema. This week's subject is the 2024 courtroom drama Juror #2.
This edition is written by CHIRP Radio volunteers Kevin Fullam and Clarence Ewing.
Kevin:
How would we define a "good" person? Most of us would consider ourselves to be good people, right? We would stop to help a fallen stranger. We'd return a misplaced wallet. But this is low-hanging fruit. It's not hard to be a samaritan when you're not asked to risk much time or energy.
So let's up the ante. Would you testify against a stranger and thereby put yourself at risk for violent reprisal? A tougher call. Hollywood hasn't done us any favors when it comes to reassuring us about the long-term health of witnesses in criminal trials. What if we increase the stakes yet again -- this time, your honest testimony might put yourself in jail. What then?
Many courtroom films hinge on an 11th-hour whammy. A shocking turn in an investigation. A crucial witness cracking on the stand. In Juror #2, we know all the facts of the case at the outset, and the most important witness won't be summoned, but will instead help decide whether an innocent man goes to prison.
Chicago band Sick Day will perform at CHIRP Night at the Whistler on Sunday February 23rd. We recently caught up with band member Olivia Wallace to ask a few questions.
So...What’s going on? Tell us about your current releases and/or upcoming shows.
Our most recent big release was the Overexposure EP, and our next full-band show will be the Chirp night at the Whistler 😊
How do you go about turning your thoughts, ideas, and feelings into sounds?
There's an old quote that says "Writing Is easy; you just open a vein and bleed." When I write, I sit with a guitar and try to tap into a stream of inspiration, and I like to write from personal experience.
I always want to create songs that are catchy, meaningful, and relatable. People gravitate towards songs that resonate with something deep within. I also like to use double meanings to help capture a multi-faceted reality.
There are multiple balancing acts I keep in mind: between specificity & generality, between personal & external, between simplicity & complexity. There needs to be just the right amount of repetition, so the song is catchy but still stays interesting.
So I guess the old quote is wrong, because writing songs is actually really difficult. I need to use many parts of my brain and most of the time I'm not up for the task.
by Alanna Miller
If you, like many of us, celebrated Doechii’s 2024 release Alligator Bites Never Heal for its crystal clear, verbose delivery, then you should check out Ms. John Glacier.
Glacier, like Doechii, is a voracious and contemplative writer. Her lyrics are sophisticated and poetic, unrelenting and wise. Her rapping resembles a stream of consciousness, lines just seeming to tumble out of her like a faucet left on for too long.
Glacier, unlike Ms. Doechii, is a Londoner from Hackney and raps over British electronica beats to compose a delicious trip hop sound in the single “Found,” off her upcoming album, Like a Ribbon, the third full-length record in the artist’s collection.
“Found” is an introspective, cerebral song. Intelligent lyrics combine with UK electronica to form a sound that is just as good as a backing soundtrack to your day as it is deserving of a focused listen. The delicate keys overtop scratchy electronic samples creates a sound that I envision accompanying a techy, glitchy robot ballet.
A patient, confident drum beat grounds the song and keeps things danceable. Kwes Darko, best known for his work with Sampa the Great and slowthai, produced and mixed Like a Ribbon. This is Darko’s second collaboration with Glacier, having also produced Glacier’s EP of the same name, released in 2024 (Just one track, “Tripsteady,” appears on the EP but not the new LP).
The lyrics are somewhat predictable for an artist feeling the pressure of a third album release. In “Found,” Glacier humbly relishes her newfound success and fame while recognizing that a meteoric rise does not beget a problem-free life.
The song opens with, “Whole world at my feet/ Me when I step out,” situating the track within the context of her boundless potential. The lyric, “The gone days are gone/ If they’re not, then we get ‘round it,” somewhat tests the limits of that good fortune and hints that not everything is rosy for Glacier.
But with the line, “Anyhow, any means, how I get founded,” Glacier assures us that she’s not just an artist with hype, but a performer with the mental fortitude to tolerate the bullsh*t that accompanies her rising profile.
The positivity in Glacier’s poetry pairs well with the uplifting piano performance. Perhaps the most touching part of the song is when Glacier raps, “You found me and I think I’ve found you,” a tender moment when her voice breaks in an otherwise steady vocal delivery.
But my favorite lyric of the song is when she says, “Green grass where the grass never knew/ We dance and we laugh at the moon.” It recalls the scene in Dazed and Confused when Matthew McConaughey and his entourage of high school seniors gather at their football stadium for one last late-night hurrah on the field, surrounded by turf and moonlight. You know it.
That’s when McConaughey blessed the zeitgeist with the line, “You just gotta keep livin man, L-I-V-I-N.” It’s totally corny but resonant nonetheless. Send Like A Ribbon to your valentine if you want to move them; the album comes to us on February 14th this year.
by Andy Frye
Chicago-based alternative dream poppers 6kitty released their second album, Under Pins, in mid-December. On February 15, they will play a sold-out show at Schubas with Chicago music scene veterans The Vulgar Boatmen.
The trio, made up of drummer Alex Karan, lead vocalist-guitarist Donna Dee, and bass player Stephanie Harte, got together after years of playing in different bands, mainly as a creative balance to day jobs, family life, as well as a raging love for creative music.
Bassist Harte, who also shares some lead vocal duties, said that forming 6kitty as a new band seemed like a natural fit for the three alternative musical compatriots.
“In the past, we have all played together in different variations of bands,” Harte says, “so when Donna and I started the 6kitty project, we reached out to Alex to join, and the band easily snapped into place.”
And while each of 6kitty’s members will admit to a hint of a “shoegazey” sound on both the new album and their 2022 debut album, Tux, they draw on a wide variety of influences from different decades.