We're seeking new members for our 2025 Board of Directors, as well as our founding Associate Board for young professionals 35 and under. Details and application at each of the links above.
We're seeking new members for our 2025 Board of Directors, as well as our founding Associate Board for young professionals 35 and under. Details and application at each of the links above.
Requests? 773-DJ-SONGS or .(JavaScript must be enabled to view this email address)
by Eddie Sayago
The Academy Awards, which honors all the artists who create cinema--despite the recent kerfuffle cutting airtime from various technical categories--sometimes recognizes some of the greatest artists who ever lived. And sometimes they don't.
These seven songs, all nominated for Best Original Song, represent both the movies they were featured in and bring a spotlight to the musicians behind them:
Music and Lyrics by Howard Ashman and Alan Menkel
Performed by Levi Stubbs
Years before briefly being the go-to team for creating music for Disney films, Howard Ashman and Alan Menkel were tasked for the music for Little Shop of Horrors, a off-Broadway musical that premiered in 1982, slowly becoming a cult hit.
I can’t imagine anyone else delivering both the gruff and sass required in “Mean Green Mother from Outer Space” than Levin Stubbs, especially with the lines “You better step aside/Better take a tip, boy/Want some good advice?/You better take it easy,/'Cause you're walkin' on thin ice.” (Stubbs is best known for being the lead singer of The Four Tops.)
Right after Little Shop of Horrors, the duo were invited to write music for The Little Mermaid, the film that launched Disney's Renaissance era. The music was a big factor in the success of the films the duo worked on, and would have continued beyond Beauty and the Beast and Aladdin.
Ashman died in 1991 from complications of AIDS, a few months before the release of Beauty and the Beast, which is his most accessible work as a lyricist. His finest work is "Mean Green Mother from Outer Space," a gem that continues to be belted out on stages around the globe four decades later.
Lost To: “Take My Breath Away” from Top Gun
Kaina – It Was A Home (City Slang)
by Eddie Sayago
There is a chance that you have come across a song (or two, or so many more) that you enjoy and did not realize that it's either been covered by someone else or is a cover itself. We hope that this series allows you to appreciate both the original and the covers they have inspired, and to seek out and enjoy new music in the process.
Here we take a look at one of Hank Williams’ most memorable songs and two different covers by two of the most influential male crooners America has ever produced.
Despite his short life (he died on New Year’s Day 1953 at age 29), Hank Williams accomplished more as a musician than most other artists who live twice as long.
Arguably America’s first country music superstar, Williams had written/co-written and recorded over 160 songs over the course of a decade, with 35 of them becoming Top 10 hits on the Country Charts (and 11 of them going to #1).
“Cold, Cold Heart” was actually a B-Side to a more upbeat single, “Dear John” (a very downer title, if one is familiar with “Dear John” letters/stories). “Cold, Cold Heart” is by far the more memorable of the two songs released on that record in February 1951, quickly becoming a #1 hit and becoming a popular song to cover by other artists.
Though the song could apply to any couple going through hardship, a line in the first verse, “A memory from your lonesome past keeps us so far apart”, references an abortion that Williams’ first wife, Audrey, had that may have been from an extramartial affair.
Hank also had affairs of his own, eventually divorcing Audrey to marry Billie Jean Horton–who later had an affair with Johnny Cash–shortly before his death in October 1952. Horton got her name from her next marriage, to singer Johnny Horton, whom she married the following September.
Bloodhype – Pictures of Our Dead Intercom System (self-released)
by CHIRP Radio DJ and Features Co-Director Mick R (Listen to his most recent shows / Read his blog)
It has been said, that, “What doesn’t kill you, makes you weirder.” Now the person who said that was an actor, portraying a madman, in a major motion picture, but I defy you to find the lie.
Chicago’s electro-pop duo Asbestos Lead Asbestos takes this sentiment to the opposite extreme: If you want to live, you better prepare to get weird.
Named for a Meat Beat Manifesto masterpiece, the group boasts the talents of best buds Joey and Cassidy, who together form a human sound lab, conducting experiments at the outer limits of good taste while pumping out poignant, absurdist insights and Ableton-enabled, hip-hop night-terrors.
It’s perfect for disassociating with a can of rosé in a jacuzzi jerried out of a Waste Management container - in other words, it’s the soundtrack to your best possible life.