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The Johnny Lewis Trio Cissy Strut from Wheedle's Groove: Seattle's Finest In Funk & Soul 1965-75 (Light In The Attic) Add to Collection
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Throughout December, CHIRP Radio presents its volunteers’ top albums of 2014. Our next list is from DJ and Assistant Music Director DJ Dead Alive (Dave Toropov).
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You have 8 minutes to tell a nonfiction story. You’ll have a mic, a stool if you prefer to sit, a music stand for your pages, and a timer. Oh and an audience. Because what’s better than sharing something personal than to do it in front of strangers.
It’s called live lit and it’s sweeping America. Well maybe just Chicago. Even just a few years ago, storytelling venues were scarce in the city, but today there are over 50 storytelling events each month.
One consistent event in the city is Story Club, which boasts the 8-minute rule. Story Club is also in Minneapolis and Boston. It's a nonfiction storytelling show whose goal is to “mix up the spontaneity of an open mic with the experience of live theater”. Last Thursday, a group of readers shared their stories at the Holiday Club.
A gentleman opened the evening with a story about his Russian lover. He met her while working overseas. Repeatedly he told her that when returning to the US he’d be going alone. As he repeated this throughout the story it became obvious he cared for her. When the time came for him to return, he lost his wallet with all his money. She ended paying for his cab and checked baggage. Enough money to last her a few months he said. It made him feel even more worthless and he cried the whole way home.
If you talk over your 8 minutes the whole thing shuts down. Not like a giant claw scoops you off stage, but you’re done. Mid-sentence, exit stage left. Thankfully that didn’t happen to anyone last Thursday.
The next man to step up apparently worked on a documentary featuring a guy making his way down the Mississippi. He joined the guy on his journey for some time. In the beginning they got along fine. As time passed, the storyteller said he could see the journey wearing away at his companion who’d begun to shout and treat him poorly. The storyteller said he felt sadness for the guy because what he loved most about the river had beaten him. There was no longer joy in his passion.
Not all stories are as deep, you know. We heard about a man’s childhood dream of getting a GI Joe with the Kung Fu Grip on Christmas, and the disappointment he still suffers when it didn’t arrive.
You may share from any point in your life – like the woman who gave in-depth details on what she’s willing to do to hang on to her youth. Or like another woman who gave a glimpse of her life after ending a six-year relationship.
The point of this story is whether it’s silly shit or deep shit, people relate to each other via our stories. We connect and it’s a beautiful thing. Check it out first in the audience, just for fun, and see what you think. Click here for live lit storytelling events in the city.
It's the holiday season, which means Christmas music. Lots and lots or Christmas music, most of which was written before the people listening to it were even alive. While "Jingle Bells" and "We Three Kings" are great, and resilient, we're devoting this year to finding the best Christmas song written since 1989. We continue today with #18, and a little holiday eco-terrorism with the Flaming Lips.
Throughout December, CHIRP Radio presents its volunteers’ top albums of 2014. Our next list is from DJ and Record Fair Director JimK. I love this game. Looking back on past years is great, too! I do not purport to know that these are the best of 2014, just that they are some of my faves. No particular order....just load 'em up & hit random. |
Hey buddy. Look, I’m so sorry to interrupt you. That was not my intention at all. I just wanted to draw your attention to the fact that you are actually in a public space right now, and not your living room. We all are. All of us put in a similar amount of effort as you to buy tickets, show up on time, and all face the same direction sort of for the same reason as you. And that is to see Annie Clark do a St. Vincent show. And I totally get it; the amount of time she is spending making banter with the audience (which they call “crowd work (that is to say it happens often enough that all of the people who do it have an industry term for this, for talking between songs, to engage the crowd in this manner)) is time that is taken away from playing “the hits.”
But buddy, ya gotta wait til the show’s over to complain. I know, I know, sweety, it’s OK. It is boring to hear talking instead of music, you’re right, but imagine how all of us feel right now, hearing you talking instead of Annie Clark.