We're happy to be nominated in four categories for the Reader's 2024 Best of Chicago poll. Find them all here and cast your ballot by December 31!
We're happy to be nominated in four categories for the Reader's 2024 Best of Chicago poll. Find them all here and cast your ballot by December 31!
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But time, laziness, and a little arrogance got in the way.
If you listen to their 1989 debut album, you know immediately The Stone Roses had it all: the effortless cool of the Velvet Underground and the technical prowess of Led Zeppelin. And their songwriting boasted the gravitas of early U2 and the catchy melodies of The Beatles.
Even better was their sound. With vocals hooks reminiscent of The Beach Boys, The Stone Roses began to reach pop music fans.
By 1990, radio across the British Isles and U.S. college radio widely played the singles “She Bangs The Drums” and the mighty and dark “I Wanna Be Adored.” By mid-year, The Stone Roses staged their own one-band festival at Spike Island in Merseyside in front of 30,000 fans.
Maybe it wasn't all about the Benjamins.
In mid-June, I went to see Lauryn Hill up at Ravinia. Besides the fact that many of us, roving around the grounds with craft beers and even White Claw cans in our hands, were mostly middle-aged people, Gen Xers (‘90s kids as we call ourselves now), I was reminded of one other very ‘90s thing.
Hill came on after dark—easily 9:15 pm. And we weren’t surprised it would be a fabulous but brief show. As Hill trumpeted out tunes from her nearly 25-year-old album, The Miseducation of Lauryn Hill, the other flashback that hit was that back then… the short hip-hop show was standard.
In the first half of the 1990s, whether Fugees tipped your consciousness or Digable Planets’ dreamier tales were more your style, live tours were the same. You went to see an act that would come on at least an hour, maybe two hours later than scheduled.