He is the frontman for what many consider the greatest hardcore punk band of all-time. Bad Brains combined lightening speed with incisive songs and a charismatic lead singer. Of course, the band also knew it’s way around a reggae tune. While Bad Brains was never prolific, they inspired legions of bands and fans over the years and continued to shine in concert long after their best recordings had been released. They even provided the title for the great indie rock magazine, The Big Takeover. In honor of H.R., get out your iPod or MP3 player, hit shuffle, and share the first 10 songs that come up.
Dallas Orbiter — Arise (Magnesium Fireflies): I know next to nothing about this band. I was sent this album to review for Fufkin.com. This song immediately stuck in my head, It is basically the title cut for this solid album of indie pop. The tune starts with the chorus, which is a simple choral singalong with all sorts of guitar and keyboard noise going on underneath. The verses are Neil Young filtered through Britpop with bits of distortion, and do the job of getting back to that awesome chorus.
The Bees — Stand (Octopus): This comes off the third album from this underrated British band. This song navagates a languid ska groove, mixed with the usual psychedelic-pop vibes. So this sounds like The Specials meets the ’60s, on a track dripping with atmosphere. And, damn, the chorus is mega-catchy.
Captain Beefheart & The Magic Band — Best Batch Yet (Doc At Radar Station): After a brief hiatus, Captain Beefhearts final few records moved him away from the mainstream, and into a place where he tried to take the blues meets free jazz approach of Trout Mask Replica and make it a bit more palatable. He did a great job, creating blues based songs with dissonant touches that rocked and challenged a listener equally, as reflected on this song.
Jesus Jones — Song 13 (Liquidizer): I still love this band’s debut album, which was primarily guitar heavy rock with dance beats. Really fast dance beats, along with major hooks on every song. This is a more straightforward rock tune, with heavy guitar and shouted verses, but a sublimely melodic chorus.
The Instant Automations — Scared To Be Alone (Messthetics Greatest Hits): A fuzzy slice of oddball post-punk pop from the excellent Messthetics series. This is a compilation of a compilation, skimming the cream of obscure British singles from the late-‘70s and early-‘80s. This song relies on a very prominent bass and effects laden guitar, with a simple drum machine beneath, while the singer emotes over the collective drone. A saxophone bleats in the background.
The Pipettes — Judy (We Are The Pipettes): This group’s first album is so full of brilliant tracks, taking a modern approach to the classic girl group sound. This really came through in the lyrics, which often were more aggressive than the moony girl group songs of old. This tune is a character study of a girl with a rough exterior, from the position of an empathetic acquaintance. A very mature perspective, well sung and arranged, making for a resonant pop tune.
The Hotrats – E.M.I. (Turn Ons): Here, Gaz and Danny of Supergrass do an acoustic rearrangement of this Sex Pistols’ tune. They make it sound like a peppy Ziggy-era David Bowie track, with no electric guitars — instead acoustic guitars and keyboards dominant. The only element that is true to the original is the chorus. So it’s like taking the song back to about 1974. Clever.
Funkadelic — Comin’ Round The Mountain (Hardcore Jollies): As Funkadelic followed Parliament into major labeldom, their music became less hard edged and rock oriented, but enough of that aspect was left intact to differentiate the two acts. This song melds chanted vocals, some funk guitar and a disco shuffle beat with a bit of a rockier chorus and some meaner guitar. The tune feels like it’s on the verge of exploding throughout, but it basically stays in the pocket, until a wicked solo near the end.
Jerry Lee Lewis — Whole Lotta Shakin’ Goin’ On (Live At The Star Club): For one night only, The Killer played the Star Club in Hamburg, backed by Britain’s The Nashville Teens, who had recently backed Jerry Lee for two weeks in the UK. Thank goodness this night was captured on tape, because Lewis was on fire. He drives everything with his forceful piano playing and intense vocals, keeping the energy level high at almost all times, while the Teens try to keep up. Many of the songs are better known by other artists, but The Killer makes them his own. Here, Jerry Lee takes on one of his biggest hits, getting very playful during the breakdown in the middle, and then speeding the song up to punk tempo thereafter. This is likely the greatest live rock ‘n’ roll ever made and a testament to the greatness of Mr. Lewis.
Eagles Of Death Metal — Cheap Thrills (Heart On): I enjoy all three Eagles of Death Metal records, as they keep the notion of big dumb blues rock guitar riffs viable in contemporary music. This song has a bit more of a Queens of the Stone Age vibe than the typical Eagles song, as Josh Homme takes a more prominent vocal role and adds some psychedelic moves that I’d associate more with his main band. This juxtaposes with the trash rock chorus quite well.