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The CHIRP Blog
SKaiser writesCHIRP Photos: Lincoln Park Conservatory
If you find the city looking fine and would like a chance to share your favorite concert or festival images, or most any other things, on the CHIRP Radio blog, then hop on your nearest internet service provider and send them to Shawna Kaiser at skaiser@chirpradio.org. Here is a collection from the historic Lincoln Park Conservatory and surrounding area.
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SKaiser writesWhat’s Happening at CHIRP Radio (Week of June 27)
Upcoming Events
Join us this Thursday, June 30 for CHIRP's Party on the Patio at Big Bricks and support our broadcast launch at 107.1FM! $25 tickets include a buffet dinner with unlimited pizza, taco bar, side dishes, and soft drinks. Vegetarian options are available. A portion of the cash bar sales also benefits CHIRP | Big Bricks (3832 N Lincoln Ave) | All Ages Welcome | Tickets are $25 in advance ($28 at the door)
New Media
- CHIRP Radio Movie Collection: Trainspotting (1996)
- Dylan Peterson interviews Stealing Sheep at SXSW in Austin
- Amanda Hruby sat down at the CHIRP studios with Tiny Fireflies
- First Time: First Deal with Arish Singh
- Jenny Lizak Celebrates Pride with these Ten LGBTQ Artists!
- Friday iPod/mp3 Shuffle: Happy Birthday Colin Blunstone Edition
Mike Bennett writesFriday iPod/MP3 Shuffle—Happy Birthday Colin Blunstone Edition
While their time in the spotlight was short lived, The Zombies left behind an impressive legacy of music, from oldies radio staples like “She’s Not There” and “Tell Her No” to shoulda been hits like “Whenever You’re Ready” and “I Love You” to the psych-pop masterpiece Odeyssey and Oracle. A key component to their sound was their super talented lead vocalist, Colin Blunstone. Colin had the pipes to pull off R & B and garage rock songs, but he could smooth things out to sing the poppiest of melodies. Just listen to how he handles the breathy verses of “Time of the Season” and comfortably ups the intensity where needed. Blunstone, after a brief foray into selling insurance, had a very nice solo career, and for the past decade or so, he and Rod Argent have been touring in a new lineup of The Zombies. He is truly one of the underrated figures of the British Invasion. Let’s celebrate his birthday by grabbing your iPod or MP3 player, hitting shuffle and sharing the first 10 tunes that come up.
Jenny Lizak writesCelebrate Pride With These LGBTQ Artists!
by CHIRP DJ Jenny Lizak
Happy Pride Month! Let’s celebrate with these ten songs from LGBTQ musicians…
“Fast Girls” by Sarge: Elizabeth Elmore spins a tale of meeting a girl at a Punk rock show that she can’t stop thinking about.
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“Wut” by Le1f: It’s still not easy being openly gay in the world of Hip-Hop, but Le1f doesn’t pull any punches with this hit.
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“Rebel Girl” by Bikini Kill: It’s rumored that riot grrl Kathleen Hanna wrote this song as a tribute to Joan Jett.
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Clarence Ewing: The Million Year Trip writesCHIRP Radio Movie Collection: Trainspotting (1996)
[The CHIRP Radio Movie Collection documents great movies that feature music or musicians.]
Trainspotting (1996)
The Plot: A group of heroin addicts in Scotland tries to make their way in an economically depressed late 1980s UK.
For a few years in the 1990s, “heroin chic” was a thing. The pale, hollow-cheeked look that came from riding the white horse was, in certain circles, considered a desirable image. It represented decadence and fun, regardless of the danger that’s always close behind.
The cinematic expression of this idea is Danny Boyle’s Trainspotting, a film based on a novel by Irvine Welsh. Released two years after Quentin Tarantino’s landmark movie Pulp Fiction, Boyle’s work is similar in its highly stylized mise-en-scène and the characters’ ironic detachment from realities that would be quite different were this a documentary instead of a work of make-believe. Sure, being hooked on smack is bad, but it certainly doesn’t keep the main protagonist (played by Ewan McGregor) from saying a lot of clever things or fooling around with hot young teenagers. Four years after this film’s release, Darren Aronovsky’s Requiem for a Dream, using even more visual flair, would indirectly indict the “addiction as entertainment” sub-genre by presenting drug addiction as closer to what it actually is - terrifying, depressing, and gross without the movie-star chic or uplifting ending.