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Entries categorized as “Movies” 103 results
KSanders writesGods and Ghosts: A Review of “Babylon”
by Kyle Sanders
Back in college, I took a Film Studies course where we watched King Vidor's The Crowd. Released in 1928, The Crowd is a classic from the Silent Era and was one of the first films nominated for Best Picture (back then, the category was "Best Unique and Artistic Production") at the inaugural Academy Awards ceremony. It tells the story of a young couple struggling to maintain an existence within "Society," that massive, faceless entity referenced in the title.
A landmark in direction, Vidor's kaleidoscopic camerawork follows its protagonists as their beaming ambitions slowly submerge within a vast swarm of indifferent people all clamoring for a piece of the same thing. For a film that came out during the Great Depression, it was not what you'd call a "feel good" movie of the year.
The Crowd came to mind near the end of a new film that takes place during the same era. A dizzying camera pans out above a crowd of theatergoers, tilting down at the tops of their faceless heads watching a scene from Singin' in the Rain. One of the film's protagonists is also in the audience, but in this darkened crowd he nearly goes unnoticed.
The scene is from Damien Chazelle's latest film, Babylon, and it's just one of many scenes that reference important markers of cinema--those magical movie moments that have stirred the hearts of filmgoers for over a century, The Crowd included.
If only Babylon could summon a new trick from up its overstuffed sleeve.
KSanders writesLast Looks: Final notes of the 58th Chicago International Film Festival (with Mentions of King of Kings, Rounding, and Runner)
written by Kyle Sanders, reporting from the 58th Chicago International Film Festival
Well folks, it's time to roll the red carpet back up and chuck it into its respective corner storage unit. The Chicago International Film Festival has said "Au revoir!" and turned off the marquee lights after two weeks of presenting us with 72 narrative films, 20 documentary features, and 56 short films from 53 countries. There was laughter, tears, and Agatha all along (thanks to a visit from Career Achievement Award winner Kathyrn Hahn)!
Here's a wrap-up with a few more reviewed films included in the mix!:
This year CIFF kicked off its festival with a block party in front of the Music Box Theater. With the inclusion of local food vendors and a red-carpet runway, I hope they make this an annual event--I need the validation of winning their movie trivia game!
King of Kings: Chasing Edward Jones
The last documentary I had the chance to screen was King of Kings: Chasing Edward Jones. Directed by his granddaughter, Harriet Marin Jones, this doc details the life of one of the most powerful Chicagoans of the Twentieth Century: an African-American power broker who was the brawn and the brains behind Policy, an illegal racketeering syndicate that would evolve into what we now call the Lottery. This eye-opening film uncovered the remarkable life of an overlooked legend, who stood toe-to-toe with Al Capone and rubbed elbows with the likes of Josephine Baker and Duke Ellington.
KSanders writesFight or Flight: A Chicago International Film Festival Special Presentation of Women Talking
written by Kyle Sanders, reporting from the 58th Chicago International Film Festival
Aside from giving international filmmakers around the world a place to share their art, the Chicago International Film Festival also provides a series of "Special Presentations," or those highly anticipated films from celebrated filmmakers most likely to find their names on various short lists during Awards Season. This year, Chicagoans had the chance to catch sneak peeks of Darren Aronofsky's The Whale, Martin McDonagh's The Banshees of Inisherin, and Sam Mendes' Empire of Light. Standing toe-to-toe with those male Hollywood heavyweights, is actress/director Sarah Polley, who shared her latest work, Women Talking.
Polley and cinematographer Luc Montpellier received this year's Visionary Award from CIFF, and I got the chance to attend the event (held at the Music Box Theater) and see their latest (and third overall) collaboration. Women Talking is an engrossing drama about a group of women in an isolated Mennonite colony who gather to discuss what to do about the ongoing sexual assaults they've endured from the men of the community. It's adapted from Miriam Toews' best-selling novel, and couldn't be more prescient in a post-Roe v. Wade America.
Women Talking
KSanders writesChasing the White Whale: Band, The Kings of the World, and The Big Payback
written by Kyle Sanders, reporting from the 58th Chicago International Film Festival
It's good to have goals, but at what point does one's pursuit of a dream become an obsessive nightmare? The Captain Ahab's and the Willy Loman's of the world could tell you that keeping your eye on the prize can blind you from the reality of limitations, lack of resources, and just plain bad luck. Yet achievement is not always impossible--sometimes it just never arrives the way you intended it.
Band
In the d(m)ocumentary Band (Iceland), becoming an arthouse success isn't so easy for the Post Performance Blues Band, a spandex-clad trio of women all nearing forty. Despite modest success in their Reykjavik community, they raise the stakes in their ambitions of becoming avant-garde pop stars within a year's time. If they don't achieve their dream, then they'll hang up the act for good. Do Alfrun, Hrefna, and Saga have what it takes to make their dream a reality, or is this just reckless ambition doomed to disappoint?
KSanders writesOut of One’s Depth: Huesera, Fairy Folk, and A Human Position
written by Kyle Sanders, reporting from the 58th Chicago International Film Festival
The cultural conversation around gender and identity may be progressively changing, but that shouldn't suggest it has become any easier to understand. I guess you could say society is in the midst of a "transition," as old philosophies regarding gender and sexual orientation have expanded and evolved into new territories that are at once refreshing and unfamiliar. In other words, reactions to such ideas have been both celebratory and violent.
In a way, this is a dialogue that many have been anxiously wanting to have, but just never knew how to approach it. For others, the topic goes so far beyond their traditional way of thinking that it's too frightening to comprehend. It's a conversation that's been difficult to start, and its conclusion remains uncertain. Perhaps that explains why the Chicago International Film Festival features several LGBTQ+ titles from filmmakers who have taken that conversation into creative territories ranging from delightful to horrific.
Huesera
Taking the latter approach is Huesera (Mexico). Directed by Michelle Garza Cervera, this horror film involving folklore and witchcraft involves a heterosexual couple overwhelmed with joy upon learning they're going to have a baby. Mother-to-be Valeria, a former lesbian teen punk who once stood against domestication, soon begins having terrifying visions of what she believes is La Huesera, "the bone woman." While her paranoia is dismissed by her unconcerned husband and family, she desperately turns to dark magic as a means of protecting herself and the future of her growing family.