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Entries categorized as “Movies” 110 results
Kevin Fullam writesThe Fourth Wall: Can You Ever Forgive Me?
Welcome to The Fourth Wall, CHIRP's e-conversation on cinema. This week's subject is the Melissa McCarthy movie Can you Ever Forgive Me?
This edition is written by CHIRP Radio volunteers Kevin Fullam and Clarence Ewing.
Kevin:
A little preamble here: when I was a kid, I was a huge comic-book geek. I may be a jaded cinemagoer today and thus nonplussed by the current wave of superhero movies, but I was a big-time Marvel Zombie from about 1984-90, enough so that I would frequent local comic-book shows to hunt down various back issues. The comics dealers would often sit side-by-side with sports memorabilia folks, and while I was also a baseball fan, the idea of collecting cards or autographs never seemed very appealing? To me, the entertainment value from a signature or card featuring a bunch of numbers on the back (which anyone could find elsewhere) paled mightily when compared with a tale about Spidey's latest exploits. While it was cool to have a comic "collection," it would've been meaningless to me without the stories therein.
This takes me to Can You Ever Forgive Me?, the recent film about writer Lee Israel (Melissa McCarthy) and her forgery schemes of the 1990s. When the story opens, Israel is sitting just one step above "destitute" -- unemployed, months behind on her rent, and far removed from the days when her agent would promptly answer her calls. While doing research on 1920s entertainer Fanny Brice at the library, a personal letter from Ms. Brice slips out of a dusty old tome... and Israel soon finds out from her local bookseller that such celebrity correspondence is worth serious coin. What's more, the letters are even more valuable if they include a bit o' personal flair from their authors. So, whom would it harm if Israel tacked on a saucy line or two to embellish the note, right?
Kyle writesThe Fourth Annual Doc10 Film Festival Starts This Week!
written by Kyle Sanders
The Fourth Annual Doc10 Film Festival
April 11 - 14th, 2019
The Davis Theater
For those of you whose interest is piqued by sincere cinema, the Doc10 Film Festival could prove to be just the ticket you're looking for: a four day theatrical experience dedicated solely to ten distinct documentaries presented by the Chicago Media Project.
The festival kicks off April 11, appropriately with Knock Down the House--a politically-inspiring spotlight on Congresswoman Alexandria Ocasio-Cortez--and will close out with The Biggest Little Farm, a fascinating look into the trials and errors of starting a sustainable farm in the middle of nature. All documentaries will screen at The Davis Theater in Lincoln Square.
Kyle writesThe Lost Generation: A Review of “Transit”
A review by Kyle Sanders
Transit
Directed by Christian Petzold
Music Box Films
A man dies and goes to Hell. But before he can enter, he has to go through registration. He spends hours looking for the registration office, without any luck. Finally, he runs into another man and asks "Where do you register for Hell?"
The other man answers: "Sir, this IS Hell."
This story is referenced in the new film Transit, but it also serves as an allegorical theme to the film's plot. Directed by Christian Petzold, Transit is about the hellish plight of being a stranded refugee. To avoid the ever-growing spread of fascism in Paris, German-born Georg (Franz Rogowski, Joaquin Phoenix's Euro-doppelganger) flees to Marseilles along with an injured writer. The writer dies before reaching their destination, and Georg assumes the dead man's identity and claims his transit papers.
KSanders writesThe 2019 Academy Awards: Reviewing the Best Picture Nominees
written by Kyle Sanders
I don't know about you, but the lead up to the 91st Annual Academy Awards ceremony has been just as tumultuous as any political election.
First, there was the much-ballyhooed idea of including a "Best Popular Film" award--not that it would have been part of this year's awards, but used in 2020--that caused an uproar, followed by the invite then dis-invite for comedian Kevin Hart to serve as host, causing more protest that eventually led Hart to throw in the towel.
Then the Academy announced it would only allow two of the Best Original Song nominees to perform, which quickly got nixed. Then the Academy thought it a good idea to remove some of the categories and air the acceptance speeches sometime later during the broadcast.
Needless to say, the bigwigs behind the Academy Awards made some pretty airheaded decisions. The Best Picture nominees though are far from foolish choices. Sure, six of the eight films involve real persons presented in based-on-a-true-story fashion, but like any other year, the Academy has included a little bit of the good, the bad, and the WTF. Here's a rundown of this year's Best Picture hopefuls:
Kyle writesHealing with Hilarity: A Review of “Care to Laugh”
by Kyle Sanders
Laughter isn't always the best medicine--sometimes, it's the only medicine. There's a reason "it's funny cuz it's true" is the typical response to a solidly funny joke, because the raw punch of the line stems from the reality in which it was thrown. The relief one gets from laughing at the joke, is equal to the solace received from the jokester, aka the stand-up comic.
Every comic has their schtick, but ultimately all of their material is based in some degree of reality, and it often stems from their personal lives--a tap of endless material. Take for instance Jesus Trejo, a young stand-up comic from Long Beach, California. When Trejo isn't traveling hundreds of miles to perform at open mics, he's at home taking care of his aging parents. An only child, it is up to Trejo to care for his mother, a diabetic recovering from a brain tumor, and his father, recovering from cancer. It's a difficult balance, but through familial love and unbending tenacity, Trejo uses his experiences as a millennial caregiver as material for his comedic sets.
It is Trejo's story that convinced AARP Studios to film a documentary, Care to Laugh, and release it as their first full-length feature about the burgeoning role of the Millennial caregiver. "We basically just work to tell the best personal stories we can with priorities that are about helping people improve their life with a brighter outlook," says Jeffrey Eagle, Executive Producer at AARP Studios and one of the producers of the film. "We conducted a search for what caregivers want and we landed on two things: time and laughter. What would be better than a comedy show?"