Entries categorized as “Movies” 102 results

KSanders writesThe 2024 Chicago Critics Film Festival, Part 1: A Horror-Heavy First Half, with Some Touching Titles in Between

by Kyle Sanders

In its eleventh year, the Chicago Critics Film Festival continues to outdo itself. Last year gave us the critically-acclaimed Oscar contender Past Lives (not to mention our first glimpse of Lily Gladstone, before becoming an Oscar-nominated household name), so my expectations were high. So far, the festival has managed to fulfill them with a slot of fun horror flicks making big splashes while the more dramatic fare wades in between.

To kick off the festivities, CCFF smartly chose Sing Sing, a crowd-pleasing drama set in the infamous prison, where prisoners find purpose through performance.

Fresh off his Oscar-nominated turn in Rustin, Colman Domingo stars as Divine G, one of the founding members of RTA (Rehabilitation Through the Arts). It's time to put on a new staged production, and Divine G and company decide to shake things up with a comedic original, where each prisoner auditions for roles, rehearses lines, and develops the truths of their character while confronting the truths of their incriminating pasts.

More than just "Shakespeare with shanks," Sing Sing is a triumph thanks to its charming ensemble--mostly made up of formerly incarcerated actors (Release Date: TBD). 

In Cuckoo, Euphoria's Hunter Schaeffer plays Gretchen, a seventeen-year-old who moves to the Bavarian Alps with her father and step-family. Already in the throes of teen angst, Gretchen feels even more alienated at her new home--a secluded resort managed by the discomforting Mr. Konig (played with discomforting delight by Dan Stevens with a whimsical euro accent).

It isn't long before Gretchen notices bizarre behavior from the resort's inhabitants, as well as strange noises and a mysterious figure cloaked in a beige trench coat. Cuckoo is more than just a title--it's also a great description for its kooky finale! (Release Date: August 9th)

The filmmakers behind In a Violent Nature finally answer the age-old question in all slasher horror films: What is the killer up to before dispatching all of the dumb, horny teenagers who are off drinking, drugging, and having sex?

Killing time, of course (did I just make a Dad Joke?). Director Chris Nash strategically films this clever horror film from the point-of-view of the ambiguous killer: an undead monster unknowingly resurrected who kills with unflinchingly violent--yet deliciously inventive--vigor. For any fan of the Friday the 13th franchise, you won't want to miss this! (Release Date: May 31st)

Riding on the coattails of In a Violent Nature, comes Oddity. This film seems to have been crafted from a collection of oddities of the cinematic variety: borrowing from the haunted house archives of The Conjuring and Stir of Echoes, as well as the paranormal thriller files of The Dead Zone and Don't Look Now.

After the brutal murder of his wife Dani in the country home they were renovating, Dr. Ted Timmis gets an unexpected visit from Dani's blind clairvoyant sister Darcy. Darcy believes there's more to Dani's murder than what was initially reported, and to help her find answers, she brings along a disturbing artifact from her antique store of supposedly cursed items.

How this "oddity" will help her is gradually revealed in this scary, well-crafted horror film. (Release Date: TBD)

Oddity

After surviving three horror films back-to-back, I was in need of a good palate cleanser. I found my answer in the refreshing western The Dead Don't Hurt. Directed and co-starring Viggo Mortensen, the film really belongs to Vicky Krieps (Phantom Thread, Corsage).

As the headstrong Vivienne Le Coudy, Krieps portrays a French woman determined to clear her own path in the world. She meets her match (both in gumption and romance) with Danish Holger Olsen (Mortensen).

When the call of duty persuades Holger to join up with the Union during the Civil War, Vivienne is left to fend for herself in a community built on corruption and brutality. With The Dead Don't Hurt, Mortensen contributes a callback to gritty classics from John Ford and Clint Eastwood, while also carving out a space for a western about two immigrants building a life for themselves in the wild American frontier. (Release Date: May 31st)

When Mats Steen was born, his parents had such dreams and hopes for their son, but upon his devastating diagnosis with a severe form of muscular dystrophy known as Duchenne, those dreams seemed to be over.

But after his death at age twenty-five, his parents learned that what they assumed to be a lonely and isolated life, turned out to be something more profound and impactful in the online gaming world. In The Remarkable Life of Ibelin, we watch as Mats' parents learn about his friendships and connections through World of Warcraft, where he existed in avatar form as Ibelin, a charismatic persona who provided Mats with boundless opportunities not afforded to him in the real world.

A documentary that'll leave you a sniffling, emotionally-wrecked mess, The Remarkable Life of Ibelin serves as an uplifting reminder that one's existence in the world matters and can impact others in ways never imagined. (Release Date: TBD) 

The Remarkable Life of Ibelin

Based on the sold out screening, I Saw the TV Glow was perhaps the festival's most buzzworthy--and most attended--event. I admit, it's probably the only title I was remotely aware of thanks to the film's day-glo splattered trailer playing at most movie theaters I've been frequenting.

The film itself is like an homage to David Lynch with a script inspired by John Hughes: an awkward teenager surviving the soul-sucking suburbs meets the archetypal high school "goth chick" who introduces him to a late-night kids TV show called The Pink Opaque.

In what becomes a shared obsession for a pop cultural peculiarity, manifests into something far more sinister beneath the gleam of its cheap mid-nineties production values. The film itself is beautifully shot in a mix of neon blues, pinks, and purples, but tonally, is more arthouse than horror. (Release Date: May 17th)

Coming up, the festival shakes things up a bit with films about road trips, record stores, and the returning dead, as well as celebrating the anniversary of an underrated Scorsese flick. The Chicago Critics Film Festival continues on through May 9th!

KSanders writesKyle Predicts the 96th Academy Awards

by Kyle Sanders

During a segment of the 86th Academy Awards, host Ellen DeGeneres rallied a few A-list celebs (and Lupita Nyong'o's brother) to pose for an Oscars selfie that broke the internet with over 3.4 million retweets on what was then known as Twitter.

Would you believe that incident took place exactly ten years ago? Time certainly flies, but quite frankly, it hasn't been too kind to that selfie (remember "Brangelina?").

But what of that year's nominated films and winners? In the decade since, can you recall that 12 Years a Slave won Best Picture? Or that American Hustle--one of the most nominated films that year--went home empty handed?

Perhaps the only memorable takeaway was Frozen's Oscar-winning song "Let It Go," cementing its place high atop its mountainous pedestal as the go-to track for any musical theater major trying to prove their vocal chops on karaoke night.

But just like the words sung by Idina Menzel (or "Adele Dazeem" as John Travolta referred to her during that telecast), "the past is the past." It's 2024, and there's a new crop of films up for awards this year.

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KSanders writesKyle Sanders’ Top 10 Films of 2023

I don't know about you, but I watched a TON of films this year. And most importantly, I saw them at a movie theater. No really, an ACTUAL movie theater! From my count (thanks to social media check-ins and a somewhat photographic memory), I visited Chicago's movie theaters a whopping 66 TIMES this year! 

Half of those took place at my favorite spot in all of Chicago: The Music Box Theater. Other notable visits included historic theaters like The Davis in Lincoln Square (mostly involving titles featured at our inaugural CHIRP Music Film Festival), and the now-defunct New 400 Theater of Rogers Park (may its hallowed doors rest in peace). 

I also got to check out some blockbusters at the new Alamo Drafthouse located in Wrigleyville, the AMC Newcity theater in Old Town, and the Landmark Century in Lakeview. So many films, so many locations! That has to be a new personal record, because not that long ago, my yearly movie theater visits could be counted on one hand. And that was BEFORE Covid!

In a post-pandemic world though, movie theaters are surprisingly going strong. Last year it was all thanks to Mr. "Maverick" himself, Tom Cruise. This year though, a certain pink-attired gal could probably add another level to her Malibu Dreamhouse thanks to huge box office returns. "Barbenheimer" became an unexpected cultural event that was a successful payoff for Warner Bros' Barbie and Universal Pictures' Oppenheimer, and proved you can release a wildly fun comedy based on an iconic doll AND a biographical drama about the Atomic Bomb simultaneously without commercial conflict. I myself did NOT see both as a double feature (in fact, just a few days apart), but any gimmick to motivate the masses to movie theaters I fully support!

With 2023 coming to a close, I looked back on all of this year's films and put together a Top 10 List of my favorites. Criteria included runtime (my sincerest apologies to the three hour opuses Killers of the Flower Moon and Oppenheimer), originality (you won't find any franchise properties mentioned here--cough, cough, MARVEL, cough cough), coherence (if Wes Anderson continues to make convoluted rabbit holes like Asteroid City, he might lose me as a fan forever) and lasting impression (I'm sure there was a film I could mention here, but--I already forgot about it...). 

10) Talk to Me

An Aussie horror film that treats communicating with the dead as casually as huffing glue out of a brown paper bag down by the old swimming hole (or was that just my adolescence?). This film from Down Under is about a group of teenagers who contact spirits using a mysterious embalmed hand that allows them to be possessed for up to 90 seconds. Any additional second over, and well...let's just say the spirit might get a little too comfortable. An impressive feature directorial debut from brothers Danny and Michael Phillipou, Talk to Me dusts off the old familiar horror tropes and gives them a fresh 21st-century spin--conjuring up an effective ghost story in the TikTok era.

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KSanders writesThe 59th Annual Chicago International Film Fest—That’s a Wrap!

by Kyle Sanders

And that's a wrap for the 59th Annual Chicago International Film Festival! Surprisingly, I managed to check out OVER 30 TITLES, but some were too singular and atypical to include in my previous posts. Here's a quick shout-out to those films:

The Beautiful Summer (Italy)

The Bride (Rwanda)

The Crime is Mine (France)

Eric Larue (U.S.)

The Hypnosis (Sweden/Norway/France)

In water (South Korea)

The People's Joker (U.S./Canada/Scotland)

Poor Things (U.S.)

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KSanders writesSomething’s Out There: Reviews of “Family Portrait,” “Late Night with the Devil,” “Alien Island,” “Evil Does Not Exist,” “Raging Grace,” and “Carnal Sins”

by Kyle Sanders

Monsters, Aliens, and Satan--oh my! The Chicago International Film Festival certainly showcases a variety of powerful dramas and quirky comedies, but it also delights in serving up some chilling films perfect for Fright Nights and Midnight Movies.

It all stems from CIFF's "After Dark" Program, which I must say, I enjoy. It provides that wildly fun, spine-tingling escape to help cleanse my palate after getting bogged down by more serious cinema.

Not all of the films mentioned in this article were part of the After Dark Program, but still managed to creep me out juuuuuuuust enough to include. Read on, if you dare!

Family reunions can be hell, and it seems like the family in Family Portrait (U.S) might be living in one as well. Taking place on a bright and springy day disquieting enough for the likes of Ari Aster and David Lynch, this cinematic fever dream involves a family gathering that should be culminating with said portrait, if not for the disappearance of the family matriarch.

This film crawls right under your skin, especially with lines like "When are we going to take the picture?" taking on a whole new level of creepiness in the same vein as Marathon Man's "Is it safe?"

Family Portrait

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