Current DJ: Alli Klein: Family of Noise
foxtails gazelle from fawn (Skeletal Lightning) Add to Collection
CHIRP is excited to announce our partnership with the Chicago Human Rhythm Project’s Thanks-4-Giving program this year!
Half of the proceeds from tickets purchased to the Step Afrika! show scheduled for Thursday, Friday, and Saturday, November 19-21 at the Harris Theatre will be donated back to local charities. To choose CHIRP as your charity of choice, type CHRP-Radio in the promotional code section when checking out. Additionally, by selecting CHIRP as your charity of choice,
You can buy your tickets to this event by clicking here.
Please visit the Chicago Human Rhythm Project, Step Afrika!, and this year’s Thanks-4-Giving event page for more information or email Erin for questions about how this project benefits CHIRP.
And thanks for giving!
What’s the iPod/MP3 Shuffle? It’s just a way to get people to share music and foster some discussion. I started doing this on my Facebook page a while back and it’s been great seeing friends exchange comments on each others lists. Every Friday, I get out my 120 GB iPod (which has about 24,000 songs now), hit shuffle and write about the first 10 songs that come up. Sometimes the 10 songs are kind of conventional, sometimes there’s a lot of obscure stuff. So check mine out and please add your own shuffle or discuss other people’s shuffles!
Everybody knows that she was a femme fatale — the late, great Nico, whose model-tastic looks and chilly vocals added a sophisticated yet decadent dimension to the early work of the Velvet Underground. In her honor, let’s celebrate by grabbing your iPod/iTunes/MP3 player, hitting shuffle and sharing the first 10 tunes that come up (no cheating!) with everyone!
CHIRP volunteers are celebrating this morning, as we’ve just received word that the House Commerce Committee has unanimously voted in favor of the Local Community Radio Act, HR 1147. This bipartisan bill, which is supported by thousands of people across the country from a variety of community organizations, churches, artist groups, indigenous tribes, emergency responders and labor organizations, would allow the further expansion of low power FM radio, and would result in many more low power FM radio stations in urban areas. The Act will now go to the floor of the House for a full vote. Efforts are being made to progress the Senate’s version of the bill as well, and we are hopeful that lead co-sponsor Representative Mike Doyle’s prediction that this will be our “Christmas present” will in fact come true, and we’ll see President Obama signing it this year.
While CHIRP will begin to stream a new Chicago community radio station online within a few months, we have always believed that it is important to continue to advocate for the expansion of low power FM broadcast signals in order to fully serve all of the community, particularly those who may not have access to the internet. It is our hope that if this bill passes, we will have the opportunity to apply for a low power FM license to further our mission of serving the Chicago community with a great arts and cultural, locally-focused radio station.
During last spring’s trip to Washington D.C., we met so many people doing wonderful things in their local communities – churches, youth art organizations, farmworker coalitions, independent musicians, just to name a few – and many who hope to build upon their success with the ability to have a low power FM radio station. It is not only because of CHIRP’s own broadcasting dreams, but also because of the great people who we met in DC that we support the expansion of LPFM service across the nation, so these other groups can have the chance to serve their local communities as well.
Today’s great news should be a cause for celebration, but also a time to light the fire under all of us. Please take a moment to ask your legislators to support the Local Community Radio Act by visiting their website
With the advent of compact discs, and now MP3s, the cassette tape went the way of the dinosaur. And, with it, went the mixed tape. Made of an “A” side and a “B” side, the mixed tape provided music lovers with the opportunity to create a sonic theater of sentiment complete with an intermission. Having two sides made it possible to fit two themes onto one tape, to make two full acts of music and to draw the crescendo of the tape out in a dramatic way.
It is easier, of course, to make a mix on a cd. All that is needed is a computer and a burner and a mix can be made in less than ten minutes. Tapes required elbow grease. Pulling the tapes you wanted to dub, searching for the tracks. Re-taping it if the sound didn’t come out right the first time, and trying to get the timing just right, so that no songs got cut off but also trying to avoid minutes of blank tape at the end of a side. I have fond memories of spending nights hunched over my tape deck, meticulously making mixes for friends (“Tori Amos Essentials”, “Good Going Out Tape”, “Girls!”) and for partners (“Love/Lust”, “Make Out Mix”, “You, Me, Rock”). Getting a handmade mixed tape was the best gift one could get. There was such an excitement in throwing it in your tape player and putting on your headphones, wondering what the next song, and the next side, would be.
In 2009, it is rare to find someone with a tape player. The last time I made a mixed tape was in 2003, and then subsequently had to buy my boyfriend a tape player to play it on. Cds are the wave of the future, but how can we make them just as good as the old standard, the mixed tape? And what just plain makes a good mix?
Nobody ever asks me that question. I tend to get more “Do you have a quarter?” and “What are you looking at, man?” Maybe the reason for that is purely geographical. I hail from the southwest corner region of Logan Square. Although maybe it’s more of a corridor than a corner. That’s not important. What is important is the present state of community radio in the neighborhood. Right now it’s fairly limited to the enormous Harley Davidson that likes to swing by blasting AC/DC’s “Back in Black” and MGMT’s “Electric Feel” which rises through my apartment’s floorboards on a regular basis thanks to my downstairs neighbor’s egomaniacal stereo. Don’t get me wrong. I love both those songs and could listen to them all the time. And do. But I yearn for more. Sometimes I get it when the neighbors two doors down pump up their tejano music to set their Friday night garage party in motion. Plus there’s the not-so-faint sounds of electric guitar thrash and reverb that escape the walls of Ronny’s four nights a week. Still, the sound quality is poor. I get better static tuning in an AM station from St. Louis. And so for these reasons and many more, I look forward to the day CHIRP launches and changes what community radio means to me, which is more often than not the neighborhood ice cream truck’s twenty minute rendition of “Pop Goes the Weasel” on calliope