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by Eddie Sayago
For this entry of Take Two, we look at a popular song from three decades ago that has become immensely popular thanks to a hit TV show, which has lead to memes and GIFs. To this writer’s surprise, it turns out that Tina Turner’s “The Best” is actually a cover itself...
Fun fact: Tina Turner's version is actually a cover. The O.G. of this stellar song goes to Bonnie Tyler. "The Best" is featured on her 1988 album Hide Your Heart, which was produced by Desmond Child (who had a very busy year, working with everyone from Joan Jett and Bon Jovi to Cher and Michael Bolton.) Tyler's recording was a Top Ten hit...in Norway. Hide Your Heart failed to chart on the Billboard charts.
by Eddie Sayago
The Original:
Screamin' Jay Hawkins (original artist and recording)
From At Home with Screamin' Jay Hawkins (Okeh, 1956)
One of the most popular songs for the Halloween season is the signature song from Screamin' Jay Hawkins, who literally screamed, grunted, and moaned on what was originally going to be a traditional love pop ballad while in a recording session back in 1956. Most radio stations banned the track due to its "cannibalistic nature" yet it sold over a million copies in the U.S., thanks to his macabre live performances and eccentric lifestyle. (Which should been a limited series at the very least, which can include how he fathered somewhere between 57 to 75 children over the course of his lifetime.)
by Lesley Gwam
Until 1978, Chaka Khan was known as the powerhouse lead singer of Chicago funk band, Rufus. That changed, however, with the release of Chaka Khan’s eponymous debut solo album, which featured “I’m Every Woman” as its lead single.
Written by Ashford and Simpson of “Ain’t No Mountain High Enough” fame, “I’m Every Woman” begins with a riveting string arrangement accompanied by a funky bassline that immediately captivates the ear. Chaka’s powerful vocals and harmonies demonstrate the confidence that came to dominate her illustrious solo career; most noticeably at the bridge of the song, where Khan showcases the breadth of her vocal abilities.
Funny how I find myself in love with you.
If I could buy my reasoning, I’d pay to lose.
One half won’t do.
I’ll ask myself, ‘How much do you commit yourself?’
It’s my life. Don’t you forget. It’s my life. It never ends.
The Original:
The title track from the 1984 album by New Wave band Talk Talk is a romantic declaration of personal insight set to an arrangement that features sweeping waves of synths washing over a jazz-tinged rhythm section. The pre-Animal Planet video for the song, which enjoyed heavy rotation on early MTV alternative music shows, uses a montage of wild creatures that, combined with the music, makes a connection between man and the world.
Video director Tim Pope wanted to make a statement against the rampant degree of lip-synching in music videos, so Lead singer Mark Hollis spends his time standing in a zoo, silent and immobile except for the animated squiggly lines dancing across his face. The images, music, and Hollis’ and Tim Friese-Greene impressionistic lyrics combine to create an effect that’s contemplative as well as pop-oriented.
Feel like a brand new person (but you make the same old mistakes)
I don’t care I’m in love (stop before it’s too late)
Feel like a brand new person (but you make the same old mistakes)
I finally know what is love (you don’t have what it takes)
The Original: The final track off of Tame Impala’s psychedelic-pop 2016 album Currents is a relaxing, yet haunting, synth filled ballad about self-doubt, lack of inhibition, and spur of the moment ideas. At 6 minutes long, vocalist Kevin Parker’s hypnotizing voice perfectly suits the song and results into an electrifying confrontation about a changing mindset, and accepting any future changes that will happen.
The Other Version: More like a note-for-note remake, rather than a cover, Rihanna’s version on her 2016 album ANTI retitled "Same Ol’ Mistakes" adds nothing new or exciting to the song. Rather than adding her own pop-reggae flair that we normally see in her albums, Rihanna focuses on Tame Impala’s psychedelic aspects by almost imitating an airy, ethereal tone much like Parker’s voice.